History of Spanish Literature, vol. 1 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 1 (of 3)
Ticknor, George
Spanish literature -- History and criticism
Some of the ballads embodied in this genuinely Castilian measure are,
no doubt, very ancient. That such ballads existed in the earliest
times, their very name, _Romances_, may intimate; since it seems to
imply that they were, at some period, the only poetry known in the
_Romance_ language of Spain; and such a period can have been no other
than the one immediately following the formation of the language
itself. Popular poetry of some sort--and more probably ballad poetry
than any other--was sung concerning the achievements of the Cid as
early as 1147.[179] A century later than this, but earlier than the
prose of the “Fuero Juzgo,” Saint Ferdinand, after the capture of
Seville in 1248, gave allotments or _repartimientos_ to two poets who
had been with him during the siege, Nicolas _de los Romances_, and
Domingo Abad _de los Romances_, the first of whom continued for some
time afterwards to inhabit the rescued city and exercise his vocation
as a poet.[180] In the next reign, or between 1252 and 1280, such
poets are again mentioned. A _joglaressa_, or female ballad-singer, is
introduced into the poem of “Apollonius,” which is supposed to have
been written soon after the year 1250;[181] and in the Code of Laws of
Alfonso the Tenth, prepared about 1260, good knights are commanded to
listen to no poetical tales of the ballad-singers except such as relate
to feats of arms.[182] In the “General Chronicle,” also, compiled
soon afterwards by the same prince, mention is made more than once of
poetical gestes or tales; of “what the ballad-singers (_juglares_) sing
in their chants, and tell in their tales”; and “of what we hear the
ballad-singers tell in their chants”;--implying that the achievements
of Bernardo del Carpio and Charlemagne, to which these phrases refer,
were as familiar in the popular poetry used in the composition of this
fine old chronicle as we know they have been since to the whole Spanish
people through the very ballads we still possess.[183]
[179] See the barbarous Latin poem printed by Sandoval, at the
end of his “Historia de los Reyes de Castilla,” etc. (Pamplona,
1615, fol., f. 193). It is on the taking of Almeria in 1147, and
seems to have been written by an eyewitness.
Public-domain text, read in full here on John Shaqi.
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