[310] Parte III. c. 3-5. The love of Pero Niño for the lady Beatrice comes, also, into the poetry of the time; for he employed Villasandino, a poet of the age of Henry III. and John II., to write verses for him, addressed to her. See Castro, Bibl. Esp., Tom. I. pp. 271 and 274. Next after Pero Niño’s Chronicle comes that of the Constable Don Alvaro de Luna, the leading spirit of the reign of John the Second, almost from the moment when, yet a child, he appeared as a page at court, in 1408, down to 1453, when he perished on the scaffold, a victim to his own haughty ambition, to the jealousy of the nobles nearest the throne, and to the guilty weakness of the king. Who was the author of the Chronicle is unknown.[311] But, from internal evidence, he was probably an ecclesiastic of some learning, and certainly a retainer of the Constable, much about his person, and sincerely attached to him. It reminds us, at once, of the fine old Life of Wolsey by his Gentleman Usher, Cavendish; for both works were written after the fall of the great men whose lives they record, by persons who had served and loved them in their prosperity, and who now vindicated their memories with a grateful and trusting affection, which often renders even their style of writing beautiful by its earnestness, and sometimes eloquent. The Chronicle of the Constable is, of course, the oldest. It was composed between 1453 and 1460, or about a century before Cavendish’s Wolsey. It is grave and stately, sometimes too stately; but there is a great air of reality about it. The account of the siege of Palenzuela,[312] the striking description of the Constable’s person and bearing,[313] the scene of the royal visit to the favorite in his castle at Escalona, with the festivities that followed,[314] and, above all, the minute and painful details of the Constable’s fall from power, his arrest, and death,[315] show the freedom and spirit of an eyewitness, or, at least, of a person entirely familiar with the whole matter about which he writes. It is, therefore, among the richest and most interesting of the old Spanish chronicles, and quite indispensable to one who would comprehend the troubled spirit of the period to which it relates; the period known as that of the _bandos_, or armed feuds, when the whole country was broken into parties, each in warlike array, fighting for its own head, but none fully submitting to the royal authority.