History of Spanish Literature, vol. 1 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 1 (of 3)
Ticknor, George
Spanish literature -- History and criticism
At the period, however, to which we have alluded, and which ends about
the middle of the fourteenth century, there is no reasonable pretence
that any such form of fiction existed in Spain. There, the national
heroes continued to fill the imaginations of men and satisfy their
patriotism. Arthur was not heard of at all, and Charlemagne, when he
appears in the old Spanish chronicles and ballads, comes only as that
imaginary invader of Spain who sustained an inglorious defeat in the
gorges of the Pyrenees. But in the next century things are entirely
changed. The romances of France, it is plain, have penetrated into
the Peninsula, and their effects are visible. They were not, indeed,
at first, translated or versified; but they were imitated, and a new
series of fictions was invented, which was soon spread through the
world, and became more famous than either of its predecessors.
This extraordinary family of romances, whose descendants, as Cervantes
says, were innumerable,[358] is the family of which Amadis is the
poetical head and type. Our first notice of it in Spain is from a grave
statesman, Ayala, the Chronicler and Chancellor of Castile, who, as we
have already seen, died in 1407.[359] But the Amadis is of an earlier
date than this fact necessarily implies, though not perhaps earlier
known in Spain. Gomez Eannes de Zurara, Keeper of the Archives of
Portugal in 1454, who wrote three striking chronicles relating to the
affairs of his own country, leaves no substantial doubt that the author
of the Amadis of Gaul was Vasco de Lobeira, a Portuguese gentleman who
was attached to the court of John the First of Portugal, was armed as a
knight by that monarch just before the battle of Aljubarrota, in 1385,
and died in 1403.[360] The words of the honest and careful annalist
are quite distinct on this point. He says he is unwilling to have his
true and faithful book, the “Chronicle of Count Pedro de Meneses,”
confounded with such stories as “the book of Amadis, which was made
entirely at the pleasure of one man, called Vasco de Lobeira, in the
time of the King Don Ferdinand; all the things in the said book being
invented by its author.”[361]
[358] Don Quixote, in his conversation with the curate, (Parte
II. c. 1,) says, that, to defeat any army of two hundred thousand
men, it would only be necessary to have living “alguno de los
del inumerable linage de Amadis de Gaula,”--“any one of the
numberless descendants of Amadis de Gaul.”
[359] Ayala, in his “Rimado de Palacio,” already cited, says:--
Plegomi otrosi oir muchas vegadas
Libros de devaneos e mentiras probadas,
Amadis e Lanzarote, e burlas a sacadas,
En que perdi mi tiempo á mui malas jornadas.
Public-domain text, read in full here on John Shaqi.
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