History of Spanish Literature, vol. 1 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 1 (of 3)
Ticknor, George
Spanish literature -- History and criticism
Its chief allegory, from the nature of its subject, relates to the
Saviour, and fills seventy-four out of the one hundred and one
“Leaves,” or chapters, that constitute the Second Part. Christ is
represented in it as the Knight of the Lion; his twelve Apostles as
the twelve Knights of his Round Table; John the Baptist as the Knight
of the Desert; and Lucifer as the Knight of the Serpent;--the main
history being a warfare between the Knight of the Lion and the Knight
of the Serpent. It begins at the manger of Bethlehem, and ends on
Mount Calvary, involving in its progress almost every detail of the
Gospel history, and often using the very words of Scripture. Every
thing, however, is forced into the forms of a strange and revolting
allegory. Thus, for the temptation, the Saviour wears the shield of
the Lion of the Tribe of Judah, and rides on the steed of Penitence,
given to him by Adam. He then takes leave of his mother, the daughter
of the Celestial Emperor, like a youthful knight going out to his first
passage at arms, and proceeds to the waste and desert country, where he
is sure to find adventures. On his approach, the Knight of the Desert
prepares himself to do battle; but, perceiving who it is, humbles
himself before his coming prince and master. The baptism of course
follows; that is, the Knight of the Lion is received into the order of
the Knighthood of Baptism, in the presence of an old man, who turns
out to be the Anagogic Master, or the Interpreter of all Mysteries,
and two women, one young and the other old. All three of them enter
directly into a spirited discussion concerning the nature of the rite
they have just witnessed. The old man speaks at large, and explains it
as a heavenly allegory. The old woman, who proves to be Sinagoga, or
the representation of Judaism, prefers the ancient ordinance provided
by Abraham, and authorized, as she says, by “that celebrated Doctor,
Moses,” rather than this new rite of baptism. The younger woman
replies, and defends the new institution. She is the Church Militant;
and the Knight of the Desert, deciding the point in her favor, Sinagoga
goes off full of anger, ending thus the first part of the action.
Public-domain text, read in full here on John Shaqi.
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