History of Spanish Literature, vol. 1 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 1 (of 3)
Ticknor, George
Spanish literature -- History and criticism
The great Anagogic Master, according to an understanding previously
had with the Church Militant, now follows the Knight of the Lion to
the desert, and there explains to him the true mystery and efficacy of
Christian baptism. After this preparation, the Knight enters on his
first adventure and battle with the Knight of the Serpent, which, in
all its details, is represented as a duel,--one of the parties coming
into the lists accompanied by Abel, Moses, and David, and the other
by Cain, Goliath, and Haman. Each of the speeches recorded in the
Evangelists is here made an arrow-shot or a sword-thrust; the scene on
the pinnacle of the temple, and the promises made there, are brought in
as far as their incongruous nature will permit; and then the whole of
this part of the long romance is abruptly ended by the precipitate and
disgraceful flight of the Knight of the Serpent.
This scene of the temptation, strange as it now seems to us, is,
nevertheless, not an unfavorable specimen of the entire fiction. The
allegory is almost everywhere quite as awkward and unmanageable as it
is here, and often leads to equally painful and disgusting absurdities.
On the other hand, we have occasionally proofs of an imagination that
is not ungraceful; just as the formal and extravagant style in which it
is written now and then gives token that its author was not insensible
to the resources of a language he, in general, so much abuses.[394]
[394] It is prohibited in the Index Expurgatorius, Madrid, 1667,
folio, p. 863.
There is, no doubt, a wide space between such a fiction as this of the
Celestial Chivalry and the comparatively simple and direct story of
the Amadis de Gaula; and when we recollect that only half a century
elapsed between the dates of these romances in Spain,[395] we shall be
struck with the fact that this space was very quickly passed over, and
that all the varieties of the romances of chivalry are crowded into a
comparatively short period of time. But we must not forget that the
success of these fictions, thus suddenly obtained, is spread afterwards
over a much longer period. The earliest of them were familiarly known
in Spain during the fifteenth century, the sixteenth is thronged with
them, and, far into the seventeenth, they were still much read; so that
their influence over the Spanish character extends through quite two
hundred years. Their number, too, during the latter part of the time
when they prevailed, was large. It exceeded seventy, nearly all of
them in folio; each often in more than one volume, and still oftener
repeated in successive editions;--circumstances which, at a period
when books were comparatively rare and not frequently reprinted, show
that their popularity must have been widely spread, as well as long
continued.
Public-domain text, read in full here on John Shaqi.
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