From this time we hear little of Cervantes and nothing of his hero, till eight years afterwards, in July, 1613, when he wrote the Preface to his Tales, where he distinctly announces a Second Part of Don Quixote. But before this Second Part could be published, and, indeed, before it was finished, a person calling himself Alonso Fernandez de Avellaneda, who seems, from some provincialisms in his style, to have been an Aragonese, and who, from other internal evidence, is suspected to have been a Dominican monk, came out, in the summer of 1614, with what he impertinently called “The Second Volume of the Ingenious Knight, Don Quixote de la Mancha.”[179] [179] Cervantes reproaches Avellaneda with being an Aragonese, because he sometimes omits the article where a Castilian would insert it. (Don Quixote, Parte II. c. 59.) The rest of the discussion about him is found in Pellicer, Vida, pp. clvi.-clxv.; in Navarrete, Vida, pp. 144-151; in Clemencin’s Don Quixote, Parte II. c. 59, notes; and in Adolfo de Castro’s Conde Duque de Olivares, Cadiz, 1846, 8vo, pp. 11, etc. This Avellaneda, whoever he was, called his book “_Segundo_ Tomo del Ingenioso Hidalgo Don Quixote de la Mancha,” etc., (Tarragona, 1614, 12mo), and printed it so that it matches very well with the Valencian edition, 1605, of the First Part of the genuine Don Quixote;--both of which I have. There are editions of it, Madrid, 1732 and 1805; and a translation by Le Sage, 1704, in which,--after his manner of translating,--he alters and enlarges the original work with little ceremony or good faith. The edition of 1805, in 2 vols. 12mo, is expurgated. Two things are remarkable in relation to this book. The first is, that, though it is hardly possible its author’s name should not have been known to many, and especially to Cervantes himself, still it is only by remote conjecture that it has been sometimes assigned to Luis de Aliaga, the king’s confessor, a person whom, from his influence at court, it might not have been deemed expedient openly to attack; and sometimes to Juan Blanco de Paz, a Dominican friar, who had been an enemy of Cervantes in Algiers. The second is, that the author seems to have had hints of the plan Cervantes was pursuing in his Second Part, then unfinished, and to have used them in an unworthy manner, especially in making Don Alvaro Tarfe play substantially the same part that is played by the Duke and Duchess towards Don Quixote, and in carrying the knight through an adventure at an inn with play-actors rehearsing one of Lope de Vega’s dramas, almost exactly like the adventure with the puppet-show man so admirably imagined by Cervantes.[180] [180] Avellaneda, c. 26.