History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
Here, of course, if the poem had a regular subject, it would end;
but now we are plunged at once into a series of wars and disasters,
arising out of the discontent of unsuccessful rivals, which threaten
to have no end. Trials of all kinds follow. Visions, enchantments
and counter enchantments, episodes quite unconnected with the main
story, and broken up themselves by the most perverse interruptions,
are mingled together, we hardly know why or how; and when at last the
happy pair are settled in their hardly won kingdom, we are as much
wearied by the wild waste of fancy in which Lope has indulged himself,
as we should have been by almost any degree of monotony arising from
a want of inventive power. The best parts of the poem are those that
contain descriptions of persons and scenery;[237] the worst are those
where Lope has displayed his learning, which he has sometimes done by
filling whole stanzas with a mere accumulation of proper names. The
versification is extraordinarily fluent.[238]
[237] Cantos IV. and VII.
[238] La Hermosura de Angélica was printed for the first time in
1604, says the editor of the Obras, in Tom. II. But Salvá gives
an edition in 1602. It certainly appeared at Barcelona in 1605.
The stanzas where proper names occur so often as to prove that
Lope was guilty of the affectation of taking pains to accumulate
them are to be found in Obras, Tom. II. pp. 27, 55, 233, 236, etc.
As the Beauty of Angelica was written in the ill-fated Armada, it
contains occasional intimations of the author’s national and religious
feelings, such as were naturally suggested by his situation. But in
the same volume he originally published a poem in which these feelings
are much more fully and freely expressed;--a poem, indeed, which is
devoted to nothing else. It is called “La Dragontea,” and is on the
subject of Sir Francis Drake’s last expedition and death. Perhaps no
other instance can be found of a grave epic devoted to the personal
abuse of a single individual; and to account for the present one, we
must remember how familiar and formidable the name of Sir Francis Drake
had long been in Spain.
Public-domain text, read in full here on John Shaqi.
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