History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
Leonora, the heroine, first comes on the stage, and confesses her
attachment to Don Juan de Hurtado, a gentleman who has recently
returned rich from the Indies. She gives a lively sketch of the way in
which he had made love to her in all the forms of national admiration,
at church by day, and before her grated balcony in the evenings. Don
Luis, her brother, ignorant of all this, gladly becomes acquainted with
the lover, whom he interests in a match of his own with Doña Blanca,
sister of Bernardo, who is the cherished friend of Don Juan. Eager to
oblige the brother of the lady he loves, Don Juan seeks Bernardo, and,
in the course of their conversation, ingeniously describes to him a
visit he has just made to see all the arrangements for the evening’s
entertainment now in progress before the court, including this
identical play of Lope; thus whimsically claiming from the audience a
belief that the action they are witnessing on the stage in the garden
is, at the very same moment, going on in real life in the streets
of Madrid, just behind their backs;--a passage which, involving, as
it does, compliments to the king and the Count Duke, to Quevedo and
Mendoça, must have been one of the most brilliant in its effect that
can be imagined. But when Don Juan comes to explain his mission about
the lady Blanca, although he finds a most willing consent on the part
of her brother, Bernardo, he is thunderstruck at the suggestion, that
this brother, his most intimate friend, wishes to make the alliance
double and marry Leonora himself.
Now, of course, begin the involutions and difficulties. Don Juan’s
sense of what he owes to his friend forbids him from setting up his own
claim to Leonora, and he at once decides that nothing remains for him
but flight. At the same time, it is discovered that the Lady Blanca is
already attached to another person, a noble cavalier, named Don Pedro,
and will, therefore, never marry Don Luis, if she can avoid it. The
course of true love, therefore, runs smooth in neither case. But both
the ladies avow their determination to remain steadfastly faithful to
their lovers, though Leonora, from some fancied symptoms of coldness in
Don Juan, arising out of his over-nice sense of honor, is in despair at
the thought that he may, after all, prove false to her.
Public-domain text, read in full here on John Shaqi.
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