History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
A considerable excitement in relation to this story having arisen
in the youth of Montalvan, he seized the tradition on which it was
founded, and wrought it into a drama. His lovers are placed in the
time of Charles the Fifth, in order to connect them with that stirring
period of Spanish history. The first act begins with several scenes,
in which the difficulties and dangers of their situation are made
apparent, and Isabella, the heroine, expresses an attachment which,
after some anxiety and misgiving, becomes a passion so devoted that
it seems of itself to intimate their coming sorrows. Her father,
however, when he learns the truth, consents to their union; but on
condition that, within three years, the young man shall place himself
in a position worthy the claims of such a bride. Both of the lovers
willingly submit, and the act ends with hopes for their happiness.
Nearly the whole of the limited period elapses before we begin the
second act, where we find the hero just landing in Africa for the
well-known assault on the Goleta at Tunis. He has achieved much, but
remains unnoticed and almost broken-hearted with long discouragement.
At this moment, he saves the Emperor’s life; but the next, he is
forgotten again in the rushing crowd. Still he perseveres, sternly
and heroically; and, led on by a passion stronger than death, is the
first to mount the walls of Tunis and enter the city. This time, his
merit is recognized. Even his forgotten achievements are recollected;
and he receives at once the accumulated reward of all his services and
sacrifices.
But when the last act opens, we see that he is destined to a fatal
disappointment. Isabella, who has been artfully persuaded of his death,
is preparing, with sinister forebodings, to fulfil her promise to her
father and marry another. The ceremony takes place,--the guests are
about to depart,--and her lover stands before her. A heart-rending
explanation ensues, and she leaves him, as she thinks, for the last
time. But he follows her to her apartment; and in the agony of his
grief falls dead, while he yet expostulates and struggles with himself
no less than with her. A moment afterwards her husband enters. She
explains to him the scene he witnesses, and, unable any longer to
sustain the cruel conflict, faints and dies broken-hearted on the body
of her lover.
Public-domain text, read in full here on John Shaqi.
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