History of Spanish Literature, vol. 2 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 2 (of 3)
Ticknor, George
Spanish literature -- History and criticism
At the end he has added a humorous prose dialogue, called the
“Adjunta,” defending his dramas, and attacking the actors who refused
to represent them. He says that he had prepared six full-length plays,
and six Entremeses or farces; but that the theatre had its pensioned
poets, and so took no note of him. The next year, however, when
their number had become eight plays and eight Entremeses, he found a
publisher, though not without difficulty; for the bookseller, as he
says in the Preface, had been warned by a noble author, that from his
prose much might be hoped, but from his poetry nothing. And truly his
position in relation to the theatre was not one to be desired. Thirty
years had passed since he had himself been a successful writer for
it; and the twenty or more pieces he had then produced, some of which
he mentions anew with great complacency,[142] were, no doubt, long
since forgotten. In the interval, as he tells us, “that great prodigy
of nature, Lope de Vega, has raised himself to the monarchy of the
theatre, subjected it to his control, and placed all its actors under
his jurisdiction; filled the world with becoming plays, happily and
well written; ... and if any persons (and in truth there are not a few
such) have desired to enter into competition with him and share the
glory of his labors, all they have done, when put together, would not
equal the half of what has been done by him alone.”[143]
[142] The “Confusa” was evidently his favorite among these
earlier pieces. In the Viage he says of it,--
Soy por quien La Confusa nada fea
Pareció en los teatros admirable;
and in the “Adjunta” he says, “De la que mas me precio fué _y
es_, de una llamada La Confusa, la qual, con paz sea dicho, de
quantas comedias de capa y espada hasta hoy se han representado,
bien puede tener lugar señalado por buena entre las mejores.”
This boast, it should be remembered, was made in 1614, when
Cervantes had printed the First Part of the Don Quixote, and
when Lope and his school were at the height of their glory. It
is probable, however, that we, at the present day should be
more curious to see the “Batalla Naval,” which, from its name,
contained, I think, his personal experiences at the fight of
Lepanto, as the “Trato de Argel” contained those at Algiers.
Public-domain text, read in full here on John Shaqi.
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