First Part 416 Second Part 417 Both Parts 417 Lord Carteret’s Edition 417 That of the Academy 418 Of Bowle 418 Of Pellicer 418 Of Clemencin 419 Translations 419 Imitations out of Spain 420 In Spain 421 Its Fame everywhere 422 APPENDIX, F. EARLY COLLECTIONS OF OLD SPANISH PLAYS. Comedias de Diferentes Autores 423 Comedias Nuevas Escogidas 424 Various smaller Collections 426 APPENDIX, G. ON THE ORIGIN OF CULTISMO. Controversy about it in Italy 427 Bettinelli and Tiraboschi 427 Spanish Jesuits in Italy 428 Serrano and Andres 428 Vannetti and Zorzi 428 Arteaga and Isla 429 Lampillas 429 End of the Controversy 430 Result of it 431 APPENDIX, H. INEDITA. No. I. Poema de José el Patriarca 432 No. II. La Danza General de la Muerte 459 No. III. El Libro del Rabi Santob 475 * * * * * INDEX 505 HISTORY OF SPANISH LITERATURE. SECOND PERIOD. THE LITERATURE THAT EXISTED IN SPAIN FROM THE ACCESSION OF THE AUSTRIAN FAMILY TO ITS EXTINCTION, OR FROM THE BEGINNING OF THE SIXTEENTH CENTURY TO THE END OF THE SEVENTEENTH. (CONTINUED.) HISTORY OF SPANISH LITERATURE. SECOND PERIOD. (CONTINUED.) CHAPTER XXXI. SATIRICAL POETRY: THE ARGENSOLAS, QUEVEDO, AND OTHERS.--ELEGIAC POETRY AND EPISTLES: GARCILASSO, HERRERA, AND OTHERS.--PASTORAL POETRY: SAA DE MIRANDA, BALBUENA, ESQUILACHE, AND OTHERS.--EPIGRAMS: VILLEGAS, REBOLLEDO, AND OTHERS.--DIDACTIC POETRY: RUFO, CUEVA, CÉSPEDES, AND OTHERS.--EMBLEMS: DAZA, COVARRUBIAS.--DESCRIPTIVE POETRY: DICASTILLO. Satirical poetry, whether in the form of regular satires, or in the more familiar guise of epistles, has never enjoyed a wide success in Spain. Its spirit, indeed, was known there from the times of the Archpriest of Hita and Rodrigo Cota, both of whom seem to have been thoroughly imbued with it. Torres Naharro, too, in the early part of the sixteenth century, and Silvestre and Castillejo a little later, still sustained it, and wrote satires in the short national verse, with much of the earlier freedom, and all the bitterness, that originally accompanied it.