But, even before he had printed the other ten books, which appeared in 1609, he was fortunately induced, like Cardinal Bembo, to become his own translator, and to give his work to his countrymen in the pure Castilian of Toledo. In doing this, he enjoyed a great advantage. He might use a freedom in his version that could be claimed by no one else; for he had not only a right to change the phraseology and arrangement, but, whenever he saw fit, he might modify the opinions of a book which was as much his own in the one language as in the other. His “Historia de España,” therefore, the first part of which appeared in 1601, has all the air and merit of an original work; and in the successive editions published under his own direction, and especially in the fourth, which appeared the very year of his death, it was gradually enlarged, enriched, and in every way improved, until it became, what it has remained ever since, the proudest monument erected to the history of his country.[208] [208] The most carefully printed and beautiful edition of Mariana’s History is the fourteenth, published at Madrid, by Ibarra, (two vols. fol. 1780,) under the direction of the Superintendents of the Royal Library;--a book whose mechanical execution would do honor to any press in Europe. It is remarkable how much Mariana amended his History in the successive editions during his lifetime; the additions between 1608 and 1623 being equal, as stated by the editors of that of 1780, to a moderate volume. It begins with the supposed peopling of Spain by Tubal, the son of Japhet, and comes down to the death of Ferdinand the Catholic and the accession of Charles the Fifth; to all which Mariana himself afterwards added a compressed abstract of the course of events to 1621, when Philip the Fourth ascended the throne. It was a bold undertaking, and in some respects is marked with the peculiar spirit of its age. In weighing the value of authorities, for instance, he has been less careful than became the high office he had assumed. He follows Ocampo, and especially Garibay,--credulous compilers of old fables, who were his own contemporaries,--confessing freely that he thought it safest and best to take the received traditions of the country, unless obvious reasons called upon him to reject them. His manner, too, is, in a few particulars, open to remark. In the beautiful dedication of the Spanish version of his History to Philip the Third, he admits that antiquated words occasionally adhere to his style, from his familiar study of the old writers; and Saavedra, who was pleased to find fault with him, says, that, as other people dye their beards to make themselves look young, Mariana dyed his to make himself look old.[209]