History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
[4] Rimas, 1634, pp. 56, 234, 254. It is singular, however, that,
while Bartolomé imitates Horace, he expresses his preference for
Juvenal.
Pero quando á escribir sátiras llegues,
A ningun irritado cartapacio,
Sino al del cauto Juvenal, te entregues.
He seems, too, to have been accounted an imitator of Juvenal by
his contemporaries; for Guevara, in his “Diablo Cojuelo,” Tranco
IX., calls him “Divino Juvenal Aragones.” But it is impossible
not to see that he is full of Horatian turns of thought.
Quevedo, on the other hand, followed Juvenal, whose hard, unsparing
temper was better suited to his own tastes, and to a disposition
embittered by cruel persecutions. But Quevedo is often free and
indecorous, as well as harsh, and offends that sensibility to virtue
which a satirist ought carefully to cultivate. It should, however, be
remembered in his favor, that, though living under the despotism of the
Philips, and crushed by it, no Spanish poet stands before him in the
spirit of an independent and vigorous satire. Góngora approaches him
on some occasions, but Góngora rarely dealt with grave subjects, and
confined his satire almost entirely to burlesque ballads and sonnets,
which he wrote in the fervor of his youth. At no period of his life,
and certainly not after he went to court, would he have hazarded a
satirical epistle like the one on the decay of Castilian spirit and
the corruption of Castilian manners, which Quevedo had the courage
to send to the Count Duke Olivares, when he was at the height of his
influence.[5]
[5] It is the last poem in the “Melpomene.”
The greatest contemporaries of both of them hardly turned their
thoughts in this direction; for as to Cervantes, his “Journey to
Parnassus” is quite too good-natured an imitation of Caporali to be
classed among satires, even if its form permitted it to be placed
there; and as to Lope de Vega, though some of his sonnets and other
shorter poems are full of spirit and severity, especially those that
pass under the name of Burguillos, still his whole course, and the
popular favor that followed it, naturally prevented him from seeking
occasions to do or say any thing ungracious.
Public-domain text, read in full here on John Shaqi.
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