History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
San Juan de la Cruz, who was in some respects an imitator of Luis
de Granada, was born in 1542, and, having spent the greater part of
his life in reforming the discipline of the Carmelite monasteries,
died in 1591, and was beatified in 1674. His works, which are chiefly
contemplative, and obtained for him the title of the Ecstatic
Doctor, are written with great fervor. The chief of them are the
allegory of “The Ascent to Mount Carmel,” and “The Dark Night of the
Soul,”--treatises which have given him much reputation for a mystical
eloquence, that sometimes rises to the sublime, and sometimes is lost
in the unintelligible. His poetry, of which a little is printed in some
of the many editions of his works, is of the same general character,
but marked by great felicity and richness of phraseology.[238]
[238] Obras de San Juan de la Cruz, Sevilla, 1703, folio, twelfth
edition.
Santa Teresa, who was associated with Juan de la Cruz in the work of
reforming the Carmelites,--or rather with whom he was associated,
since hers was the leading spirit,--died in 1582, sixty-seven years
old. Her didactic works, the most remarkable of which are “The Path to
Perfection” and “The Interior Castle,” are less obscure than those of
her coadjutor, though more declamatory. But all she wrote, including
an account of her own life, and several discussions connected with the
religious duties to which she dedicated herself, were composed with
apparent reluctance on her part, and in obedience to the commands of
her superiors. She believed herself to be often in direct communion
with God; and as those about her shared her faith on this point, she
was continually urged by them to make known to the world what were thus
regarded as revelations of the Divine will. On one occasion she says:
“Far within, God appeared to me in a vision, as he has been wont to do,
and gave me his right hand, and said,--Behold this print of the nail;
it is a sign that, from this day forth, thou art my spouse. Hitherto,
thou hast not deserved it; but hereafter not only shalt thou regard my
honor as that of thy Creator, and King, and God, but as that of a true
spouse;--for my honor is now thine, and thine is mine.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account