History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
In speaking of Aleman, I am reminded of his “San Antonio de
Padua,” printed in 12mo, at Valencia, in 1607, ff. 309. It
belongs to the same class of books with the “San Patricio” of
Montalvan, (see, _ante_, Vol. II. p. 298,) but is more elaborate
and more devout. The number of the Saint’s miracles that it
records is very great. Whether he invented any of them for the
occasion, I do not know; but they sometimes read as much like
_novelas_ as some of his stories in the “Guzman” do, and are
always written in the same idiomatic and unadulterated Castilian.
It is introduced by a _cancion_ in honor of it by Lope de Vega;
but I cannot find that it was ever reprinted;--why, it is
difficult to say, for it is an uncommonly attractive book of its
class.
It is not surprising, therefore, that the first attempt of the
Academy, made in the form of a short discourse, prefixed to its larger
Dictionary, produced little effect. A separate work, which appeared in
1742, did something more, but not much; and the successive editions
of it which were called for by the public rather showed the uneasy
state of opinion in relation to the points under discussion, than any
thing else. At last, in 1815, the Academy, in the eighth recension of
its treatise on Orthography, and in 1817, in the fifth of its smaller
Dictionary, began a series of important changes, which have been
generally adopted by subsequent writers of authority, and appear to
have nearly settled the spelling of the Castilian, though still it
seems open to a few further modifications, and even to invite them.[283]
[283] The difficulties in Castilian orthography are set forth in
the “Diálogo de las Lenguas” (Mayans y Siscar, Orígenes, Tom.
II. pp. 47-65); but the ingenious author of that discussion is
more severe than was necessary on Lebrixa. An anonymous writer of
an excellent essay on the same subject, in the first volume of
the Repertorio Americano, (Tom. I. p. 27,) is a great deal more
judicious. But how unsettled much still remains in practice may
be seen in the “Manual del Cajista, por José María Palacios,”
Madrid, 1845, 18mo, where (pp. 134-154) is a “Prontuario de las
Voces de dudosa Ortografía,” containing above 1800 words.
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