History of Spanish Literature, vol. 3 (of 3)Ticknor, George
History
History of Spanish Literature, vol. 3 (of 3)
Ticknor, George
Spanish literature -- History and criticism
[110] The first edition is dedicated to his patron, the
Archbishop of Toledo, whose _daily_ pension to him, however,
_may_ have well been called “alms”--_limosna_--by Salas
Barbadillo. Other editions followed, and “Marcos” has continued
to be reprinted and read in Spain down to our own times. In
London, a good English translation of it, by Major Algernon
Langton, was published in 1816, in two volumes, 8vo; and in
Breslau, in 1827, there appeared a very spirited, but somewhat
free, translation into German, by Tieck, in two volumes, 18mo,
with a valuable Preface and good notes. The original is on the
Index of 1667 for expurgation.
[111] The _Escudero_ of the plays and novels of the seventeenth
century is wholly different from the _Escudero_ of the romances
of chivalry of the sixteenth. Covarrubias, _in verb._, well
describes both sorts, adding, “Now-a-days” (1611) “esquires are
chiefly used by ladies, but _men_ who have any thing to live upon
prefer to keep at home; for as esquires they earn little, and
have a hard service of it.”
In many particulars, his history resembles that of his predecessor,
Guzman de Alfarache. It is the story of a youth who left his father’s
house to seek his fortune; became first a student and afterwards a
soldier; visited Italy; was a captive in Algiers; travelled over a
large part of Spain; and after going through a great variety of dangers
and trials, intrigues, follies, and crimes, sits down quietly in his
old age to give an account of them all, with an air as grave and
self-satisfied as if the greater part of them had not been of the most
discreditable character. It contains a moderate number of wearisome,
well-written moral reflections, intended to render its record of
tricks, frauds, and crimes more savory to the reader by contrast;
but though it falls below both the “Guzman de Alfarache” and the
“Lazarillo” in the beauty and spirit of its style, it has more life in
its action than either of them, and the series of its events is carried
on with greater rapidity, and brought to a more regular conclusion.[112]
Public-domain text, read in full here on John Shaqi.
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