Though Dante (1265-1321) is sometimes regarded as the earliest of the Humanist school[2] on account of his professed admiration for some of the Pagan masters and of the blending in his /Divina Comedia/ of the beauties of Roman literature with the teaching of the Fathers and Scholastics, still, the spirit that inspired him was the spirit of Christianity, and his outlook on life was frankly the outlook of the Middle Ages. To Petrarch (1304-74) rather belongs the honour of having been the most prominent, if not the very first writer, whose works were influenced largely by Humanist ideals. Born in Arezzo in 1304, he accompanied his father to Avignon when the latter was exiled from Florence. His friends wished him to study law; but, his poetic tendencies proving too strong for him, he abandoned his professional pursuits to devote his energies to literature. The patronage and help afforded him willingly by the Avignonese Popes[3] and other ecclesiastics provided him with the means of pursuing his favourite studies, and helped him considerably in his searches for manuscripts of the classics. Though only a cleric in minor orders, he was appointed Canon of Lombez (1335), papal ambassador to Naples (1343), prothonotary apostolic (1346), and archdeacon of Parma (1348). These positions secured to him a competent income, and, at the same time, brought him into touch with libraries and influential men. The ruin of Italy and Rome, caused in great measure by the absence of the Popes during their residence at Avignon, roused all the patriotic instincts of Petrarch, and urged him to strive with all his might for the restoration of the ancient glory of his country. Hence in his politics he was strongly nationalist, and hence, too, he threw the whole weight of his influence on the side of Cola di Rienzi, when in 1347 the latter proclaimed from the Capitol the establishment of the Roman Republic. Nor did he hesitate to attack the Popes, to whom he was indebted so deeply, for their neglect of Rome and the Papal States, as well as for the evils which he thought had fallen upon Italy owing to the withdrawal of the Popes to Avignon. He himself strove to awaken in the minds of his countrymen memories of the past by forming collections of old Roman coins, by restoring or protecting wherever possible the Pagan monuments, and by searching after and copying manuscripts of the classical writers. In poetry, Virgil was his favourite guide. As a rule he wrote in Italian, but his writings were saturated with the spirit of the early Pagan authors; while in his pursuit of glory and his love for natural, sensible beauty, he manifested tendencies opposed directly to the self-restraint, symbolism, and purity of the Middle Ages. His longest poem is /Africa/, devoted to a rehearsal of the glories of ancient Rome and breathing a spirit of patriotism and zeal for a long lost culture, but it is rather for his love songs, the /canzoni/, that he is best remembered.