Had the Humanists contented themselves with advocating merely a return to classical studies, and had the Scholastics recognised that philosophy was not the only path to culture, it might have been possible to avoid a conflict. But, unfortunately for religion, there were extremists on both sides. On the one hand, some of the later Humanists, influenced largely by the low moral tone of the age, aimed at nothing less than the revival of Paganism, pure and simple; while, on the other, not a few of the Scholastics insisted strongly that Pagan literature, however perfect, should have no place in Christian education. Between these two conflicting parties stood a large body of educated men, both lay and cleric, who could see no irreconcilable opposition between Christianity and the study of the classics, and who aimed at establishing harmony by assigning to the classics the place in education willingly accorded to them by many of the Fathers of the Church. But the influence of this latter body could not effect a reconciliation. A large section of the Humanists openly vindicated for themselves freedom from the intellectual and moral restraints imposed by Christianity. Laurentius Valla[5] (1405-57) in his work, /De Voluptate/, championed free indulgence in all kinds of sensual pleasures, attacked virginity as a crime against the human race, and ridiculed the idea of continence and self-denial, while in his own life he showed himself a faithful disciple of the Epicurianism that he propounded in his writings. His denunciations, too, of the Popes as the usurping tyrants of Rome in his work on the Constantine Donation were likely to do serious injury to the head of the Church in his spiritual as well as in his temporal capacity. But bad as were the compositions of Valla, they were harmless when compared with the books and pamphlets of Beccadelli, the Panormite, who devoted himself almost exclusively to what was indecent and repulsive. Poggio Bracciolini in his work, /Facetiae/, and Filelfo, though not equally bad, belong to the same category. In the hands of these men the Renaissance had become, to a great extent, a glorification of Pagan immorality. Their books were condemned by many of the religious orders, but without avail. They were read and enjoyed by thousands, in whom the wholesale corruption prevalent in Florence, Siena, and Venice, had deadened all sense of morality.