History of the Catholic Church in Paterson, N.J.: with an Account of the Celebration of the Fiftieth Anniversary of the Establishment of St. John's Church — John Shaqi
History of the Catholic Church in Paterson, N.J.: with an Account of the Celebration of the Fiftieth Anniversary of the Establishment of St. John's ChurchShriner, Charles A. (Charles Anthony)
History
History of the Catholic Church in Paterson, N.J.: with an Account of the Celebration of the Fiftieth Anniversary of the Establishment of St. John's Church
Shriner, Charles A. (Charles Anthony)
Catholic Church -- New Jersey -- Paterson; Paterson (N.J.) -- Church history; St. John's Church (Paterson, N.J.)
beautiful buildings erected, not to purposes of science and art, but to
the glory of God, and for works of charity done in His name. The
Catholic Church has always been a church builder. She began with the
Catacombs, which you will find in many parts of Europe and particularly
at Rome. To those places the faithful were wont to flee from the light
of day to offer their rites and worship God in their own way. As you
pass along those corridors, cut from the solid rock and lined on either
side with the bodies of the dead, you find in places they expand into
chambers where church rites were held. I recall one near Naples, a
church called after St. Agnes, near the scene of her martyrdom, where
there is a beautiful church, with an altar and a seat for the Bishop. In
some of these churches where the light of day does not shine the walls
are decorated with frescoes, from subjects of the Old Testament. I need
not say that when the Church came up to worship God in the light of day
she continued to erect noble edifices to the glory of God, hence those
noble basilicas, churches and cathedrals we see in the old countries.
Those noble structures have been stigmatized as creations of the Dark
Ages. Some of you may have seen them. Those who have not can form no
idea of their beauty and grandeur, which impress even those of other
faiths who enter them. They are truly noble poems, built in stone under
the light of Heaven. It would be quite as easy for an ordinary person to
compose a stanza of Paradise Lost, or Dante's Divina Comedia, as to
construct even the slightest portion of one of those beautiful works. It
has been the theory of a certain school, now I am happy to say fast
passing away, that these noble buildings were the result of
superstition; that they were built by men of habits of great violence
and crime, who compounded with God, as it were, to keep a portion of
their stolen goods, while with the remainder they erected those noble
churches and monasteries. This theory was entirely false. These were men
like unto ourselves, as regards human nature: when they did wrong they
might offer reparation, but it was no superstition that found means to
build these churches. In our days men are recognizing a better theory;
that it was faith, piety and love for God that prompted these works.
Those men in erecting their churches gave expression to their faith, and
showed their love to God as you are showing it now.'
Public-domain text, read in full here on John Shaqi.
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