History of the Catholic Church in Paterson, N.J.: with an Account of the Celebration of the Fiftieth Anniversary of the Establishment of St. John's Church — John Shaqi
History of the Catholic Church in Paterson, N.J.: with an Account of the Celebration of the Fiftieth Anniversary of the Establishment of St. John's ChurchShriner, Charles A. (Charles Anthony)
History
History of the Catholic Church in Paterson, N.J.: with an Account of the Celebration of the Fiftieth Anniversary of the Establishment of St. John's Church
Shriner, Charles A. (Charles Anthony)
Catholic Church -- New Jersey -- Paterson; Paterson (N.J.) -- Church history; St. John's Church (Paterson, N.J.)
The music was rendered by the church's choir of 36, reinforced by a
boys' choir of 30: an orchestra of 20 pieces (including tympani bought
for the occasion) and the great organ of the church, and was conducted
by Prof. William Davis, with that perfect knowledge of his art and rare
taste which equip him so well for his important position. The musical
programme was no doubt the most elaborate ever rendered at a religious
service in Paterson, and was carried out in a fitting manner. The
singing was most creditable in its precision of time and accuracy of
intonation, and the orchestral accompaniments left little to be desired.
The programme of the morning was: prelude for orchestra and organ, "The
Lost Chord," by Sullivan; Asperges Me, chorus with organ, by Werner;
Kyrie, Gloria, Sanctus and Agnus Dei from Haydn's second mass; Credo
(scored for the occasion by Prof. Davis) from Rossi's mass in D minor;
Domine Deus, from same mass, as cornet solo with organ accompaniment;
and after mass, a Gregorian Te Deum sung antiphonally by the church
choir and sanctuary choir of boys, and for postlude, overture to Auber's
"Masaniello," by the orchestra. Rev. Father MacCarthy was the celebrant
and his intonation of the mass was most impressive. He was assisted by
the missionary priest, Father Walker, as Deacon, and Father Quin as
Sub-deacon. Father McNulty was assistant priest, with Fathers Murphy and
Van Riel as Deacon and Sub-deacons of Honor. Rev. Dr. Larkin was Master
of Ceremonies. The altar boys were arrayed in new royal purple cassocks,
scarlet lined, and white gloves, and to each was assigned the care of a
portion of the Bishop's vestments.
On Sunday evening the congregation was again limited only by the
capacity of the edifice to hold those who came, hundreds being compelled
to turn away, unable to obtain even standing room. The services were of
deep interest, and the music was remarkably fine. After the prelude, by
the orchestra and organ, Rossi's vespers were sung, followed by the
"Salve Regina," by Spath; "O Salutaris," Giorza; "Tantum Ergo,"
Hattersly, and a triumphal march on the organ. The rendition of the
"Magnificat," bass solo, by Mr. Anderson, the exceedingly brilliant alto
solo, "O Salutaris," by Miss Lawless, and the tenor parts, as sung by
Mr. Stafford, were commented upon as among the finest features of the
evening service. The Papal blessing was imparted by Bishop McQuaid, to
whom the duty was delegated by the missionary priest, Father Walker, who
was compelled to absent himself, this prerogative being conferred upon
missionary priests by the Holy See. Following came a very able discourse
on the progress of the Church by Rev. Father Patrick Corrigan, of
Hoboken, after which the usual benediction closed the evening services.
Public-domain text, read in full here on John Shaqi.
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