vague professions, which, in every court, and on every occasion, compose the language of discreet ministers. The reputation of Theodoric may repose with more confidence on the visible peace and prosperity of a reign of thirty-three years; the unanimous esteem of his own times, and the memory of his wisdom and courage, his justice and humanity, which was deeply impressed on the minds of the Goths and Italians. 21 (return) [ Hist. Miscell. l. xv., a Roman history from Janus to the ixth century, an Epitome of Eutropius, Paulus Diaconus, and Theophanes which Muratori has published from a Ms. in the Ambrosian library, (Script. Rerum Italicarum, tom. i. p. 100.)] 22 (return) [ Procopius (Gothic. l. i. c. i.) approves himself an impartial sceptic. Cassiodorus (in Chron.) and Ennodius (p. 1604) are loyal and credulous, and the testimony of the Valesian Fragment (p. 718) may justify their belief. Marcellinus spits the venom of a Greek subject—perjuriis illectus, interfectusque est, (in Chron.)] 23 (return) [ The sonorous and servile oration of Ennodius was pronounced at Milan or Ravenna in the years 507 or 508, (Sirmond, tom. i. p. 615.) Two or three years afterwards, the orator was rewarded with the bishopric of Pavia, which he held till his death in the year 521. (Dupin, Bibliot. Eccles. tom. v. p. 11-14. See Saxii Onomasticon, tom. ii. p. 12.)] 24 (return) [ Our best materials are occasional hints from Procopius and the Valesian Fragment, which was discovered by Sirmond, and is published at the end of Ammianus Marcellinus. The author’s name is unknown, and his style is barbarous; but in his various facts he exhibits the knowledge, without the passions, of a contemporary. The president Montesquieu had formed the plan of a history of Theodoric, which at a distance might appear a rich and interesting subject.] 25 (return) [ The best edition of the Variarum Libri xii. is that of Joh. Garretius, (Rotomagi, 1679, in Opp. Cassiodor. 2 vols. in fol.;) but they deserved and required such an editor as the Marquis Scipio Maffei, who thought of publishing them at Verona. The Barbara Eleganza (as it is ingeniously named by Tiraboschi) is never simple, and seldom perspicuous]