58 (return) [ See his regard for the senate in Cochlaeus, (Vit. Theod. viii. p. 72—80.)] 59 (return) [ No more than 120,000 modii, or four thousand quarters, (Anonym. Valesian. p. 721, and Var. i. 35, vi. 18, xi. 5, 39.)] 60 (return) [ See his regard and indulgence for the spectacles of the circus, the amphitheatre, and the theatre, in the Chronicle and Epistles of Cassiodorus, (Var. i. 20, 27, 30, 31, 32, iii. 51, iv. 51, illustrated by the xivth Annotation of Mascou’s History), who has contrived to sprinkle the subject with ostentatious, though agreeable, learning.] 61 (return) [ Anonym. Vales. p. 721. Marius Aventicensis in Chron. In the scale of public and personal merit, the Gothic conqueror is at least as much above Valentinian, as he may seem inferior to Trajan.] 62 (return) [ Vit. Fulgentii in Baron. Annal. Eccles. A.D. 500, No. 10.] 63 (return) [ Cassiodorus describes in his pompous style the Forum of Trajan (Var. vii. 6,) the theatre of Marcellus, (iv. 51,) and the amphitheatre of Titus, (v. 42;) and his descriptions are not unworthy of the reader’s perusal. According to the modern prices, the Abbe Barthelemy computes that the brick work and masonry of the Coliseum would now cost twenty millions of French livres, (Mem. de l’Academie des Inscriptions, tom. xxviii. p. 585, 586.) How small a part of that stupendous fabric!] 64 (return) [ For the aqueducts and cloacae, see Strabo, (l. v. p. 360;) Pliny, (Hist. Natur. xxxvi. 24; Cassiodorus, Var. iii. 30, 31, vi. 6;) Procopius, (Goth. l. i. c. 19;) and Nardini, (Roma Antica, p. 514—522.) How such works could be executed by a king of Rome, is yet a problem. Note: See Niebuhr, vol. i. p. 402. These stupendous works are among the most striking confirmations of Niebuhr’s views of the early Roman history; at least they appear to justify his strong sentence—“These works and the building of the Capitol attest with unquestionable evidence that this Rome of the later kings was the chief city of a great state.”—Page 110—M.] 65 (return) [ For the Gothic care of the buildings and statues, see Cassiodorus (Var. i. 21, 25, ii. 34, iv. 30, vii. 6, 13, 15) and the Valesian Fragment, (p. 721.)] 66 (return) [ Var. vii. 15. These horses of Monte Cavallo had been transported from Alexandria to the baths of Constantine, (Nardini, p. 188.) Their sculpture is disdained by the Abbe Dubos, (Reflexions sur la Poesie et sur la Peinture, tom. i. section 39,) and admired by Winkelman, (Hist. de l’Art, tom. ii. p. 159.)] 67 (return) [ Var. x. 10. They were probably a fragment of some triumphal car, (Cuper de Elephantis, ii. 10.)]