History of the English People, Volume V: Puritan England, 1603-1660 — John Shaqi
History of the English People, Volume V: Puritan England, 1603-1660Green, John Richard
History
History of the English People, Volume V: Puritan England, 1603-1660
Green, John Richard
Great Britain -- History
With this great series of historical and social dramas Shakspere had
passed far beyond his fellows whether as a tragedian or as a writer of
comedy. "The Muses," said Meres in 1598, "would speak with Shakspere's
fine-filed phrase, if they would speak English." His personal popularity
was now at its height. His pleasant temper and the vivacity of his wit
had drawn him early into contact with the young Earl of Southampton, to
whom his "Adonis" and "Lucrece" are dedicated; and the different tone of
the two dedications shows how rapidly acquaintance ripened into an
ardent friendship. Shakspere's wealth and influence too were growing
fast. He had property both in Stratford and London, and his
fellow-townsmen made him their suitor to Lord Burleigh for favours to be
bestowed on Stratford. He was rich enough to aid his father, and to buy
the house at Stratford which afterwards became his home. The tradition
that Elizabeth was so pleased with Falstaff in "Henry the Fourth" that
she ordered the poet to show her Falstaff in love--an order which
produced the "Merry Wives of Windsor"--whether true or false, proves his
repute as a playwright. As the group of earlier poets passed away, they
found successors in Marston, Dekker, Middleton, Heywood, and Chapman,
and above all in Ben Jonson. But none of these could dispute the
supremacy of Shakspere. The verdict of Meres that "Shakspere among the
English is the most excellent in both kinds for the stage," represented
the general feeling of his contemporaries. He was at last fully master
of the resources of his art. The "Merchant of Venice" marks the
perfection of his developement as a dramatist in the completeness of its
stage effect, the ingenuity of its incidents, the ease of its movement,
the beauty of its higher passages, the reserve and self-control with
which its poetry is used, the conception and unfolding of character, and
above all the mastery with which character and event are grouped round
the figure of Shylock. Master as he is of his art, the poet's temper is
still young; the "Merry Wives of Windsor" is a burst of gay laughter;
and laughter more tempered, yet full of a sweeter fascination, rings
round us in "As You Like It."
[Sidenote: His gloom.]
Public-domain text, read in full here on John Shaqi.
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