History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
The monuments bear eloquent testimony to the importance and
significance of this object. At Thebes (palace of Medinet Abu), Rameses
Méiamoun appears in a magnificent palanquin, surrounded by no less than
twenty bearers of the fan emblem, amongst whom are the sons of the king.
In the same palace the ten sons of Rameses appear in the order of their
precedence, bearing the emblem; the hieroglyphics, by their side,
indicating their name and functions.
On an occasion when the king (Rameses IV.) receives the homage of the
chiefs of the army, two servitors with the long semicircular fans, and
two bearers of the fan emblem, are in attendance.
The highest significance of the fan emblem is when it is grasped by
the talons of the sacred vulture, guardian and protectress of the
monarchs. This figure occurs repeatedly on the monuments; at Medinet
Abu, Rameses-Méiamoun is seen subduing an army of Asiatics, the vulture
waving the fan emblem over the head of the king.
In the temple of Beit Oually in Nubia, Rameses II., helmeted, is
striding over a fallen barbarian; the vulture of protection hovers
around the head of the hero. On the same monument Rameses seizes by the
hair a barbarian with broken bow, the vulture again in attendance. Upon
the completion of the victory, four fan-bearers, each with crook and
flabellum, offer the spoils of conquest to the king.
On a bas-relief at Thebes, Seti I. is seen in his war-chariot subduing
the barbarians, also accompanied by the vulture.
At Philæ, Ptolemy Philometor appears with a group of vanquished
Asiatics, the vulture once more in attendance.
In the papyrus of Hunefer (Book of the Dead) a winged Utchat, with Eye
of Horus, waves the fan emblem over the head of Osiris.
In the papyrus of Anhai, over the Standard of the West, which crowns
the Solar Mount and supports the hawk Rā-Harmachis, two winged Hori
appear as the protecting principle.
This symbol of the vulture forms a motif for surface decoration on the
ceiling of the hypostyle hall of the Rhamessium. Above the great bell
capital, the vulture, grasping in each talon a fan emblem, is treated
as a repeated ornamental pattern; it also appears as decoration of the
umbrella or canopy of the chariot of Rameses III. (Sesostris).
Public-domain text, read in full here on John Shaqi.
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