History of the FanRhead, G. Woolliscroft (George Woolliscroft)
History
History of the Fan
Rhead, G. Woolliscroft (George Woolliscroft)
Fans
[81] Elle donna à la reyne Louise de Lorraine une fois pour ses
estreines ung esventail faict de nacre de perles, enrichy de pierreries
et grosses perles, si beau et si riche, qu’on disoit estre un chef
d’œuvre, et l’estimoit on à plus de quinze cens escus.—Pierre de
Bourdeilles, Seigneur de Brantôme, _Mémoires des dames illustrées de
France._
[82] Sir John Cullam, Bart., _History of Hawsted_.
[83] Dr. Birdwood, _Report on Old Records in the India Office_, 1898.
[84] Sir John Francis Davis, F.R.S., _The Chinese_.
[85] _Fans of the Ancients_, p. 27.
[86] A. C. Fox-Davies, _Complete Guide to Heraldry_.
[87] _Ibid._
[88] _Omnium pene Europae, Asiae, Aphricae, atque Americae Gentium
habitus._ Antwerp, 1581.
[89] It is extremely improbable that this fan leaf had ever any
connection with the story given above. It probably belongs to the
latter years of the seventeenth, or the early years of the eighteenth
century.
[90] M. Édouard Petit has written an exhaustive monograph on the
manufacture of fans, _Études, souvenirs et considérations sur la
fabrication de l’éventail_. Versailles, 1859.
[91] _Art and Ornament in Dress._
[92] Fans of scented wood had, earlier, been introduced into the French
Court by Anne of Austria.
[93] S. Redgrave, _South Kensington Catalogue of Fan Exhibition_, 1870.
[94] One of the most potent earlier influences on Spanish painting was
that of Titian, who, although probably never in Spain, painted a number
of pictures for the Escurial.
[95] ‘They all love the feasts of bulls, and strive to appear
gloriously fine when they see them.’—_Memoirs of Lady Fanshawe._
[96] Procès Verbaux, April 26, 1762, Jan. 1765. Lady Dilke, _French
Painters of the Eighteenth Century_, p. 12.
[97] Walter Thornbury, _Legendary Ballads and Songs_.
[98] Qui estoit un montagne de chaux vive sur laquelle les gouttes
d’eau du ciel tumboient à foison et disoient les mots tels en latin:
‘Ardorem extincta testantur vivere flamma.’
[99] Des éventails et pennaches rompus des carquans brisés et ses
pierreries et perles espandues par terre les chaisnes toutes en pieces!
[100] Deux Dialogues du nouveau Langage François, 1578.
[101] Il étoit d’un vélin aussi délicatement découpé qu’il étoit
possible avec la dentelle à l’entour de pareille étoffe.
[102] There are instances in which this order is reversed, the leaf
having been preserved and mounted on more modern sticks.
[103] Ribbons constantly appear on the fans depicted in Bosse’s
engravings, either at the side, half-way up the panache, or at the
rivet.
[104] The well-known story of the portrait of Christina, painted by
Michael Dahl, may be given. One day, while the Queen was sitting
to him, she asked him what he intended to put in her hand. ‘A fan,
please your Majesty.’ ‘A fan!’ exclaimed Christina, starting up with
a tremendous oath. ‘A fan!—A lion, man, is fitter for the Queen of
Sweden.’
Public-domain text, read in full here on John Shaqi.
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