taste for caligraphy and the possession of splendidly-illuminated manuscripts seems to have anticipated in the khalifs, both of Asia and Spain, the taste for statuary and paintings among the later popes of Rome. [Sidenote: The court of Abderrahman III.] Such were the palace and gardens of Zehra, in which Abderrahman III. honoured his favourite sultana. The edifice had 1200 columns of Greek, Italian, Spanish, and African marble. Its hall of audience was incrusted with gold and pearls. Through the long corridors of its seraglio black eunuchs silently glided. The ladies of the harem, both wives and concubines, were the most beautiful that could be found. To that establishment alone 6300 persons were attached, The body-guard of the sovereign was composed of 12,000 horsemen, whose cimeters and belts were studded with gold. This was that Abderrahman who, after a glorious reign of fifty years, sat down to count the number of days of unalloyed happiness he had experienced, and could only enumerate fourteen. "Oh man!" exclaimed the plaintive khalif, "put not thy trust in this present world." [Sidenote: Social habits of the Moors.] No nation has ever excelled the Spanish Arabs in the beauty and costliness of their pleasure-gardens. To them we owe the introduction of very many of our most valuable cultivated fruits, such as the peach. Retaining the love of their ancestors for the cooling effect of water in a hot climate, they spared no pains in the superfluity of fountains, hydraulic works, and artificial lakes in which fish were raised for the table. Into such a lake, attached to the palace of Cordova, many loaves were cast each day to feed the fish. There were also menageries of foreign animals; aviaries of rare birds; manufactories in which skilled workmen, obtained from foreign countries, displayed their art in textures of silk, cotton, linen, and all the miracles of the loom; in jewelry and filigree-work, with which they ministered to the female pride of the sultanas and concubines. Under the shade of cypresses cascades disappeared; among flowering shrubs there were winding walks, bowers of roses, seats cut out of the rock, and crypt-like grottoes hewn in the living stone. Nowhere was ornamental gardening better understood; for not only did the artist try to please the eye as it wandered over the pleasant gradation of vegetable colour and form--he also boasted his success in the gratification of the sense of smell by the studied succession of perfumes from beds of flowers.