[Sidenote: but disapprove of European mythology.] The Arabs never translated into their own tongue the great Greek poets, though they so sedulously collected and translated the Greek philosophers. Their religious sentiments and sedate character caused them to abominate the lewdness of our classical mythology, and to denounce indignantly any connexion between the licentious, impure Olympian Jove and the Most High God as an insufferable and unpardonable blasphemy. Haroun al Raschid had gratified his curiosity by causing Homer to be translated into Syriac, but he did not adventure on rendering the great epics into Arabic. Notwithstanding this aversion to our graceful but not unobjectionable ancient poetry, among them originated the Tensons, or poetic disputations, carried afterward to perfection among the Troubadours; from them, also, the Provençals learned to employ jongleurs. Across the Pyrenees, literary, philosophical, and military adventurers were perpetually passing; and thus the luxury, the taste, and above all, the chivalrous gallantry and elegant courtesies of Moorish society found their way from Granada and Cordova to Provence and Languedoc. [Sidenote: The south of France contracts their tastes.] The French, and German, and English nobles imbibed the Arab admiration of the horse; they learned to pride themselves on skilful riding. Hunting and falconry became their fashionable pastimes; they tried to emulate that Arab skill which had produced the celebrated breed of Andalusian horses. It was a scene of grandeur and gallantry; the pastimes were tilts and tournaments. The refined society of Cordova prided itself in its politeness. A gay contagion spread from the beautiful Moorish miscreants to their sisters beyond the mountains; the south of France was full of the witcheries of female fascinations, and of dancing to the lute and mandolin. [Sidenote: Light literature spreads into Sicily and Italy.] Even in Italy and Sicily the love-song became the favourite composition; and out of these genial but not orthodox beginnings the polite literature of modern Europe arose. The pleasant epidemic spread by degrees along every hillside and valley. In monasteries, voices that had vowed celibacy might be heard carolling stanzas of which St. Jerome would hardly have approved; there was many a juicy abbot, who could troll forth in jocund strains, like those of the merry sinners of Malaga and Xeres, the charms of women and wine, though one was forbidden to the Moslem and one to the monk. The sedate greybeards of Cordova had already applied to the supreme judge to have the songs of the Spanish Jew, Abraham Ibn Sahal, prohibited; for there was not a youth, nor woman, nor child in the city who could not repeat them by heart. Their immoral tendency was a public scandal. The light gaiety of Spain was reflected in the coarser habits of the northern countries. It was an archdeacon of Oxford who some time afterward sang,