José b. José took as the subject of his poems the emotions and memories which move a Jewish congregation on New Year's Day. On this occasion, the birthday of a new division of time, on which, according to Jewish ideas, the fate that the year has in store for men and communities is decided, God is extolled in a sublime poem as the mighty Master, the Creator of the world, the just Judge and the Redeemer of Israel. This poem, which was attached to the old prayers for the prescribed blowing of the cornet, and was intended to interpret them, embraces in a small compass the story of Israel's glorious past, its oppressed present, and promised future. José's poem is at once a psalm of triumph and of lamentation, interwoven with penitential prayers and words of hope. The resurrection is described in a few striking, picturesque lines. Another and longer of José's poems has for its theme the ancient worship in the Temple on the Day of Atonement, which an attentive nation had once followed in devotional mood, and the description of which was well calculated to awaken the great memories of the glorious times of national independence (Abodah). It is a sort of liturgical epic, which describes simply, and without any lyrical strain, the creation of the universe and of man, the ungodliness of the first generation, Abraham's recognition of God, the election of his posterity as God's peculiar people, and the calling of Aaron's family to the service of the Temple. Arrived at the priesthood of Aaron, the poet, following the account of the Mishna, goes on to describe the duties of the high-priest in the Temple on the Day of Atonement, and concludes with the moment when the high-priest, accompanied by the whole nation, joyful and assured by visible signs of forgiveness, leaves the Temple for his home,--a beautiful fragment of the past, which has always awakened a powerful echo in the hearts of the Jewish people.