History of the Jews, Vol. 3 (of 6)Graetz, Heinrich
History
History of the Jews, Vol. 3 (of 6)
Graetz, Heinrich
Jews -- History
Elevation of thought and beauty of language are the characteristics
of José b. José's poetry. His New Year's sonnets and Temple epic have
become parts of the divine service of certain congregations, and have
served as models for others. His verses are unrhymed and without
meter, a proof of their great antiquity. The only artificial feature
of his poetical works is the alphabetical or acrostic commencement
of verses, for which several of the Psalms, Jeremiah's Lamentations,
and the post-talmudical prayers served as models. In the first fruits
of the new Hebraic poetry, form is completely subservient to the
subject-matter. There has been preserved from ancient times another
Abodah, ascribed to a poet named Simon ben Caipha. It appears to have
been written in imitation of that of José b. José, but is greatly
inferior to its model. However, it was honored by being adopted by
the synagogue of the Gaonate. To the name of Simon Caipha, which
sounds like the Jewish name of the apostle Peter, a peculiar legend
is attached: The apostle, who supports the foundation of the Catholic
Church, is represented as having written this Abodah in order to
declare in the opening part his truly Jewish acknowledgment of God's
unity, and to renounce his adherence to Jesus, as though the disciple
who three times denied his Master had desired in this liturgical poem
to attest his unbelief.
It was impossible that Jewish liturgical poetry could long remain
satisfied with this simplicity of form. Little by little the Jews
became acquainted with the poetry of the Arabs, the agreeable sound
of its rhymes captivated them, and they were led to regard rhyme as
the perfection of poetry. The _poetanists_, therefore, if they would
be well received, could not afford to neglect this artistic device,
and they assiduously devoted themselves to its cultivation. As far as
is known, the first poet who introduced rhyme into the neo-Hebraic
poetry was a certain Jannai, probably an inhabitant of Palestine. He
composed versified prayers for those special Sabbaths which, either by
reason of historical events connected with them, or of being a time of
preparation for the approaching festivals, were possessed of particular
importance. The Agadic discourses, which had been introduced on these
Sabbaths, do not seem to have pleased the congregations any longer,
because the preachers were unable to find new and attractive matter;
they seem, indeed, to have read out the same discourses in a given
order from year to year.
Public-domain text, read in full here on John Shaqi.
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