In another work, "Touchstone" (composed at the end of 1322), Kalonymos ben Kalonymos held up a mirror for his Jewish contemporaries, in which they could recognize their perversities, follies, and sins. To avoid giving himself the appearance of an irreproachable censor of morals, he enumerated his own sins, more in satire than as a confession. Kalonymos whimsically satirized even Judaism. He wished he had been born a woman, for then he would not have had to bear the burden of six hundred and thirteen religious laws, besides so many Talmudical restrictions and rigorous ordinances, which could not possibly be fulfilled, even when a man tried with the most exacting conscientiousness. As a woman, he would not have to trouble himself with so much reading, to study the Bible, the Talmud, and the subjects belonging to it, nor torment himself with logic, mathematics, physics, astronomy, and philosophy. By and by Kalonymos' satire grew deeply serious. The degradation of his Jewish co-religionists, and the bloody persecutions occasioned by the Shepherds and the lepers, dispelled his mocking humor, and satire was changed into lamentation. In Rome, which King Robert assigned to him as a place of residence, Kalonymos, having been furnished with letters of recommendation, obtained entry into a joyous, vivacious, imaginative circle of men, by whom he was stimulated to write a peculiar parody. He composed a treatise for the Jewish carnival (Purim), in which he imitated the tenor and spirit of the Talmud, its method, controversies, and digressions, with considerable wit. It is a fine parody, exciting laughter at every step, and one can not tell whether it was intended as a harmless carnival joke or as a satire on the Talmud. Kalonymos occupied a position of importance in the Roman congregation. Handsome in form, of abundant accomplishments, solid character, all his excellencies enhanced by the good opinion of King Robert of Naples, he was everyone's favorite. The Italian Jews were proud of him. But Kalonymos was not a true poet, still less an artist.