History of the Moorish Empire in Europe, Vol. 1 (of 3)Scott, S. P. (Samuel Parsons)
Islamic
History of the Moorish Empire in Europe, Vol. 1 (of 3)
Scott, S. P. (Samuel Parsons)
Arabs -- Europe -- History; Islamic civilization; Muslims -- Spain -- History; Spain -- History -- 711-1516
The unbridled license of the Arabian poet offers a curious commentary
on national manners. The most exalted dignity, the sacred attributes
of the gods, the pride of opulence, the delicacy of the sex, were
not exempt from the attacks of his venom and sarcasm. He exposed
with relentless severity the frailties of the wife and daughters of
the sheik. He boasted of his own intrigues with a shameless audacity
which, under more refined social conditions, could only be atoned
for with blood. The immunity he enjoyed was one of the prerogatives
of his calling. A certain sacredness of character was believed to
attach to the latter by reason of the demoniac possession to which was
popularly attributed the inspiration of the poetic faculty. His verses
abounded in chivalrous sentiments, but uniformly ignored the claims
of religion to the veneration of mankind. No beautiful mythology,
like that of ancient Greece, was at hand to prompt the efforts of his
muse. The maxims of the luxurious Epicurean were those that exerted
the greatest power over his imagination and his life. An idea may be
formed of the influence of poetry. on the public mind when we remember
that the Koreish in vain attempted to bribe the pagan bard Ascha to
deliver a panegyric on Mohammed at the commencement of the latter’s
career, and, unable to secure his compliance, succeeded with much
difficulty in purchasing his neutrality and silence at the expense of
a hundred camels. The Prophet was so sensitive to the keen thrusts
of the satirist, that when Mecca was captured and a general amnesty
proclaimed, one of the four unfortunates whom he expressly excluded
from this act of clemency was an obscure poet, Habbar-Ibn-Aswad by
name, who had published a lampoon against him. The Arabian bard, like
his literary descendant the troubadour, was attended by minstrels who
chanted his verses, often to the accompaniment of musical instruments.
The latter vocation, regarded as degrading by the Bedouin, was always
exercised by a slave.
Islamism, while in other directions it zealously promoted the
intellectual development of its adherents, fell like a blight upon the
poetic taste and genius of Arabia. The dreams of the poet disappeared
before the stern fanaticism of the soldier, who had no time for
rhapsodies, and cared for nothing save indulgence in rapine, the
acquisition of empire, and the extension of the Faith.
Public-domain text, read in full here on John Shaqi.
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