History of the Moorish Empire in Europe, Vol. 2 (of 3)Scott, S. P. (Samuel Parsons)
Islamic
History of the Moorish Empire in Europe, Vol. 2 (of 3)
Scott, S. P. (Samuel Parsons)
Arabs -- Europe -- History; Islamic civilization; Muslims -- Spain -- History; Spain -- History -- 711-1516
Its base is a square of fifty feet; its original height was three
hundred. For eighty-seven feet from the foundation the walls are of
stone blocks fitted with the greatest nicety, and once polished to
the smoothness of glass. The superstructure is of brick, and almost
covered with graceful arabesque patterns in terra-cotta. Each side is
divided into six panels with the designs in bas-relief, the panels
resting upon ogival arches sustained by marble columns sunk into the
masonry. In the central panels are a series of ajimezes, or Moorish
windows, whose compartments are separated by miniature columns of
alabaster. A charming variety and elegance exist in their arrangement
and decoration; the openings are symmetrical but unequally disposed,
and the terra-cotta patterns, while they exhibit a general similarity,
are unlike in detail, no two faces of the tower exactly resembling
each other. The minaret as originally designed was crowned with
battlements, and was surmounted by another tower eight cubits in
height, of similar plan but of much more elaborate ornamentation.
Above the latter structure rose a bar sustaining four bronze balls
of different sizes, placed one above the other. The general color of
the building was a brilliant red, due to the bricks of which it was
principally composed. Within this bright setting the sunken arabesques
glowed with all the splendor of the richest damask. The interstitial
portions of the designs were painted with scarlet, azure, green, and
purple, the parts in relief were gilded. The maze of gold and color was
at once tempered and defined by the duller framing and by the white,
translucent, alabaster columns of the central panels. Around the summit
of the principal tower was a mosaic of intricate pattern and many
colors. The beauty of the gorgeous tints that under the sunlight of
Southern Spain exhibited the refulgence of the rainbow was heightened
by the use of tiles covered with gold leaf, whose enamelled covering
imparted a brilliancy not even exceeded by the burnished metal itself.
Upon the superstructure had been lavished all the exquisite taste and
skill of the Moorish and the Byzantine artisan. Its sides presented a
complicated and elegant mosaic of white, blue, and gold. Its parapet
blazed with that precious metal, and above ascended, in regular
gradation, the row of immense gilded globes, visible to the approaching
or to the departing caravan for the space of more than a day’s journey.
The largest of these was nearly twenty feet in diameter; the surfaces
of all were deeply grooved, the better to reflect the light; and the
iron bar which sustained them, and which was also plated with gold,
weighed nearly a thousand pounds.
Public-domain text, read in full here on John Shaqi.
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