History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe — John Shaqi
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of EuropeEdwards, H. Sutherland (Henry Sutherland)
History
History of the Opera from its Origin in Italy to the present Time: With Anecdotes of the Most Celebrated Composers and Vocalists of Europe
Edwards, H. Sutherland (Henry Sutherland)
Opera
The first English opera then was produced, ten years later than the
first French opera; but the _Siege of Rhodes_ was performed publicly,
whereas, it was not until fifteen years afterwards (1671) that the first
public performance of a French opera (Cambert's _Pomone_) took place.
Ordinances for the suppression of stage plays had been in force in
England since 1642, and in 1643, a tract was printed under the title of
_The Actor's Remonstrance_, showing to what distress the musicians of
the theatre had been already reduced. The writer says, "But musike that
was held so delectable and precious that they scorned to come to a
tavern under twenty shillings salary for two hours, now wander with
their instruments under their cloaks (I mean such as have any) to all
houses of good fellowship, saluting every room where there is company
with 'will you have any musike, gentlemen.'" In 1648, moreover, a
provost-marshal was appointed with power to seize upon all ballad
singers, and to suppress stage plays.
Nevertheless, Oliver Cromwell was a great lover of music. He is said to
have "entertained the most skilful in that science in his pay and
family;" and it is known that he engaged Hingston, a celebrated
musician, formerly in the service of Charles, at a salary of one hundred
a-year--the Hingston, at whose house Sir Roger l'Estrange was playing,
and continued to play when Oliver entered the room, which gained for
this _virtuoso_ the title of "Oliver's fiddler." Antony à Wood, also
tells a story of Cromwell's love of music. James Quin, one of the senior
students of Christ Church, with a bass voice, "very strong and exceeding
trouling," had been turned out of his place by the visitors, but, "being
well acquainted with some great men of those times that loved music,
they introduced him into the company of Oliver Cromwell, the Protector,
who loved a good voice and instrumental music well. He heard him sing
with great delight, liquored him with sack, and in conclusion, said,
'Mr. Quin, you have done well, what shall I do for you?' To which Quin
made answer, 'That your highness would be pleased to restore me to my
student's place,' which he did accordingly." But the best proof that can
be given of Oliver Cromwell's love for music is the simple fact that,
under his government, and with his special permission, the Opera was
founded in this country.
[Sidenote: CROMWELL'S LOVE OF MUSIC.]
Public-domain text, read in full here on John Shaqi.
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