But of objects of antiquity or veneration, that on which the people of Burgos prided themselves most was a miraculous crucifix in the convent of St. Augustine, which a merchant of that city, on his homeward voyage from Flanders, found at sea, floating in a chest shaped like a coffin. The learned have concluded, upon a comparison of dates and circumstances, that it is the identical image which was carved by Nicodemus, and carried from Jerusalem to Berytus; where, being again nailed and pierced by unbelieving Jews in the 8th century, blood issued from its wounds, and miraculously healed both Jews and Christians of their diseases. When Berytus fell under the yoke of the Saracens, the Christians, to save it from farther profanation, coffined it thus carefully and committed it in faith to the waves. Strong, however, as the circumstantial evidence for this identity was admitted to be, many persons piously preferred believing that it was no work of human hands, but had been sent from heaven, in order that there should be on earth one perfect resemblance of our crucified Saviour. They supported this opinion by the alleged and admitted fact, that no one has ever been able to ascertain of what material the image is made: the flesh, they say, is so elastic that it yields like that of a living body to the touch, and resumes its natural rotundity when the pressure is removed; the head moves to whatever side it may be inclined, and the arms, if they are unfastened, fall like those of a corpse; and the hair, and beard, and nails, seem not as if they were carved, or fixed there, but as if they grew. Volumes have been published filled with authenticated accounts of the miracles which this crucifix has performed. Kings, nobles, and prelates, have vied with each other in enriching the chapel wherein it is placed. So many lamps have been presented, that they are said literally to have hid the vault of the chapel, covering its whole extent; and of these the meanest were of massive silver. On each side of the altar stood thirty silver candlesticks, each taller than the tallest man, and heavier than many men could lift. The candlesticks upon the altar were of massive gold; between them were gold and silver crosses, set with precious stones; and crowns rich with pearls and sparkling with diamonds were suspended over the altar. Above the altar the miraculous crucifix is placed, behind three curtains embroidered with jewellery and pearls. It was shown only to persons of great distinction, and not to them till after many ceremonies, and till they had heard two masses: bells were then rung to give notice that all who were present must fall upon their knees, while the sacred curtains were undrawn. The great captain Gonsalvo de Cordoba, when he would have ascended to inspect it closely, was overcome with sudden awe, and withdrew, saying he would not tempt the Lord. And Isabella, the Catholic Queen, for whom one of the nails which fastened the