History of the transmission of ancient books to modern times: together with the process of historical proof; or, a concise account of the means by which genuineness of ancient literature generally, and the authenticity of historical works especially are ascertained including incidental remarks upon the relative strength of the evidence usually adduced in behalf of the Holy ScripturesTaylor, Isaac
History
History of the transmission of ancient books to modern times: together with the process of historical proof; or, a concise account of the means by which genuineness of ancient literature generally, and the authenticity of historical works especially are ascertained including incidental remarks upon the relative strength of the evidence usually adduced in behalf of the Holy Scriptures
Taylor, Isaac
Bible -- Evidences, authority, etc.; Historiography; Transmission of texts
Indeed we need not be solicitous to trace the history of these literary
relics a step further than fairly into the midst of the dark ages.
For even if all external and correlative evidence were wanting, and if
nothing were known concerning the classic authors except this--that,
such as they now are, they were extant in the tenth century, more than
enough would be known to make it abundantly certain that these works
were the product of a very different, and of a distant age. The men of
those times might indeed have been the transcribers and conservators,
and perhaps even the admirers, of Thucydides, of Xenophon, of
Aristophanes, of Plato, of Virgil, of Cicero, of Horace, and of
Tacitus; but assuredly they were not the _authors_ of books, such as
those which bear these names. The living pictures of energy, and of
wisdom, and of liberty, which these monuments of taste and genius
contain, could never have been imagined in the cells of a monastery,
nor composed in an age when little was to be seen abroad but ignorance,
violence, and slavery; and little found within but a dreaming
philosophy, and a degrading superstition. It is not the prerogative of
the human mind, however great may be its native powers, to trespass far
beyond the bounds of the scene by which it is immediately surrounded,
or to frame images of things which, in their elements, as well as in
their adjuncts, belong to a system and an economy altogether unknown to
the men of that time. To the genius of man it is given to imitate, to
select, to refine, and to exalt; but not to create.
* * * * *
The general import of the facts that have thus been briefly stated,
is this, namely, that the books now extant, and which are usually
attributed to the Greek and Roman writers, have, such as we find
them, descended from a very remote age. But this general affirmation
must always be understood to include an exception of those smaller
omissions, additions, and alterations in the text, which have taken
place, either by design, or inadvertency, in the course of often
repeated transcriptions.
The actual amount and the importance of these corruptions of the text
of ancient authors is likely to be overrated by general readers,
who seeing that the subject is continually alluded to in critical
works, and knowing that criticisms upon “various readings” often
occupy a space five times exceeding that which is filled by the text,
and that not seldom they become the subject of voluminous and angry
controversies, are led to suppose that questions upon which the learned
are so long and so seriously employed, cannot be otherwise than weighty
and substantial. With a view of correcting this impression, so far as
it may be erroneous, we shall now briefly explain the general nature,
the causes, and the extent of these variations and corruptions.
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