History of the transmission of ancient books to modern times: together with the process of historical proof; or, a concise account of the means by which genuineness of ancient literature generally, and the authenticity of historical works especially are ascertained including incidental remarks upon the relative strength of the evidence usually adduced in behalf of the Holy ScripturesTaylor, Isaac
History
History of the transmission of ancient books to modern times: together with the process of historical proof; or, a concise account of the means by which genuineness of ancient literature generally, and the authenticity of historical works especially are ascertained including incidental remarks upon the relative strength of the evidence usually adduced in behalf of the Holy Scriptures
Taylor, Isaac
Bible -- Evidences, authority, etc.; Historiography; Transmission of texts
The preservation of books, framed as they are of materials so
destructible, through a period of twelve, or even fifteen hundred
years, is a fact which might seem almost incredible; especially so
as the decay of far more durable substances, within a much shorter
period, is continually presented to our notice. Yet so it is, that
while the massive walls of the monasteries of the middle ages are often
seen prostrate, and their materials fast mingling with the soil, the
manuscripts, penned within them, or perhaps at a time when these stones
were yet in the quarry, are still fair and perfect, and glitter with
their gold and silver, their cerulean and their cinnabar.
It must be remembered, however, that the materials of books, although
destructible, are so far from being in themselves perishable, that
so long as they are defended from positive injuries, they appear to
suffer scarcely at all from any intrinsic principle of decay, or to
be liable to any perceptible process of chemical decomposition. No
one, says Mabillon, unless totally unacquainted with what relates to
antiquity, can call in question the great durability of parchments;
since there are extant innumerable books, written on that material,
in the seventh and sixth centuries; and some of a still more remote
antiquity, by which all doubt on that subject might be removed. It
may suffice here to mention the Virgil of the Vatican Library, which
appears to be of more ancient date than the fourth century; and another
in the King’s Library little less ancient: also the Prudentius, in
the same library, of equal age; to which you may add several, already
mentioned, as the Psalter of S. Germanus, the Book of the Councils, and
others, which are all of parchment.
The paper of Egypt, being more frail and brittle, might be open to
greater doubt; and yet there are books of great antiquity, by which its
durability may be established.
Books have owed their conservation, not merely to the durability of the
material of which they were formed; but to the peculiarity of their
being, at once precious, and yet (in periods of general ignorance) not
marketable articles; they were of inestimable value to a few, while
absolutely worthless in the opinion of the multitude. They were also
often indebted for their preservation, in periods of disorder and
violence, to the sacredness of the roofs under which they were lodged.
THE INSTRUMENTS OF WRITING, AND INKS.
Public-domain text, read in full here on John Shaqi.
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