But now, on the other hand, should I tell my reader, that I had known a man whose penetrating genius had enabled him to raise a large fortune in a way where no beginning was chaulked out to him; that he had done this with the most perfect preservation of his integrity, and not only without the least injustice or injury to any one individual person, but with the highest advantage to trade, and a vast increase of the public revenue; that he had expended one part of the income of this fortune in discovering a taste superior to most, by works where the highest dignity was united with the purest simplicity, and another part in displaying a degree of goodness superior to all men, by acts of charity to objects whose only recommendations were their merits, or their wants; that he was most industrious in searching after merit in distress, most eager to relieve it, and then as careful (perhaps too careful) to conceal what he had done; that his house, his furniture, his gardens, his table, his private hospitality, and his public beneficence, all denoted the mind from which they flowed, and were all intrinsically rich and noble, without tinsel, or external ostentation; that he filled every relation in life with the most adequate virtue; that he was most piously religious to his Creator, most zealously loyal to his sovereign; a most tender husband to his wife, a kind relation, a munificent patron, a warm and firm friend, a knowing and a chearful companion, indulgent to his servants, hospitable to his neighbours, charitable to the poor, and benevolent to all mankind. Should I add to these the epithets of wise, brave, elegant, and indeed every other amiable epithet in our language, I might surely say, _--Quis credet? nemo Hercule! nemo; Vel duo, vel nemo;_ and yet I know a man who is all I have here described. But a single instance (and I really know not such another) is not sufficient to justify us, while we are writing to thousands who never heard of the person, nor of anything like him. Such _rarae aves_ should be remitted to the epitaph writer, or to some poet who may condescend to hitch him in a distich, or to slide him into a rhime with an air of carelessness and neglect, without giving any offence to the reader. In the last place, the actions should be such as may not only be within the compass of human agency, and which human agents may probably be supposed to do; but they should be likely for the very actors and characters themselves to have performed; for what may be only wonderful and surprizing in one man, may become improbable, or indeed impossible, when related of another. This last requisite is what the dramatic critics call conversation of character; and it requires a very extraordinary degree of judgment, and a most exact knowledge of human nature.