Hobson's Choice: A Lancashire Comedy in Four Acts — John Shaqi
Hobson's Choice: A Lancashire Comedy in Four ActsBrighouse, Harold
General
Hobson's Choice: A Lancashire Comedy in Four Acts
Brighouse, Harold
English drama -- 20th century; Fathers and daughters -- Drama; Sisters -- Drama
WILLIE. Aye, it's there. And you wrote it, Maggie.
MAGGIE. I knew better than to trust to you. "Business suspended for the
day" it says, and they that can't read it can go on knocking.
HOBSON (_off_ R. _upstairs, after another knock_). Are you in, Maggie?
VICKEY (_terrified_). It's father!
(_General consternation_.)
ALBERT. Oh, Lord!
MAGGIE. What's the matter? Are you afraid of him?
FREDDY. Well, I think, all things considered, and seeing--
MAGGIE. All right. We'll consider 'em. You can go into the bedroom, the
lot of you.... No, not you, Willie. The rest. I'll shout when I want
you.
ALICE. When he's gone.
MAGGIE. It'll be before he's gone.
(MAGGIE _crosses to_ L. _with them_.)
VICKEY. But we don't want--
MAGGIE. Is this your house or mine?
VICKEY. It's your cellar.
MAGGIE. And I'm in charge of it.
(_The four go into bedroom_. VICKEY _starts to argue_. ALBERT _opens
the door_. VICKEY _and_ ALICE _go out followed by_ FREDDY _and_ ALBERT.
VICKEY _is pushed inside_. WILL _is going to stairs_.) You sit you
still, and don't forget you're gaffer here. I'll open door. (WILLIE
_sits in chair above table_. MAGGIE _goes upstairs and opens the door.
Enter_ HOBSON _to top stair_.)
HOBSON (_with some slight apology_). Well, Maggie.
MAGGIE (_uninvitingly_). Well, father.
HOBSON (_without confidence_). I'll come in.
MAGGIE (_standing in his way_). Well, I don't know. I'll have to ask the
master about that.
HOBSON. Eh? The master?
MAGGIE. You and him didn't part on the best of terms, you know. (_Over
the railings_.) Will, it's my father. Is he to come in?
WILLIE (_loudly and boldly_). Aye, let him come.
(HOBSON _comes downstairs_. MAGGIE _closes door behind him and follows_.
HOBSON _stares round at the cellar_.)
HOBSON. You don't sound cordial about your invitation, young man.
WILLIE (_rises and goes_ C.). Nay, but I am. (_Shaking hands for a long
time_.) I'm right down glad to see you, Mr. Hobson. (MAGGIE _comes down_
R.) It makes the wedding-day complete-like, you being her father and
I--I hope you'll see your way to staying a good long while.
HOBSON. Well--
MAGGIE. That's enough, Will. You don't need to overdo it. You can sit
down for five minutes, father. That sofa 'ull bear your weight. It's
been tested.
(HOBSON _sits on sofa_, R. C. WILLIE _goes back to the chair_, R.)
WILLIE (_taking up teapot_). There's nobbut tea to drink and I reckon
what's in the pot is stewed, so I'll--
MAGGIE (_taking pot off him as he moves to fire-place with it_). You'll
not do owt of sort. Father likes his liquids strong.
WILLIE (_down_ R. _of table_). A piece of pork pie now, Mr. Hobson?
HOBSON (_groaning_). Pork pie!
MAGGIE (_sharply_). You'll be sociable now you're here, I hope. (_She
pours tea at table, top end_.)
HOBSON. It wasn't sociability that brought me, Maggie.
MAGGIE. What was it, then?
HOBSON. Maggie, I'm in disgrace. A sore and sad misfortune's fallen on
me.
Public-domain text, read in full here on John Shaqi.
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