Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3) — John Shaqi
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
He probably made many others during his apprenticeship. When that
expired, bidding adieu to _red lions_ and _green dragons_, he
endeavoured to attain such knowledge of drawing as would enable
him to delineate the human figure, and transfer his _burin_ from
silver to copperplate. In this attempt he had to encounter many
difficulties; engraving on copper was so different an art from
engraving on silver, that it was necessary he should _un_learn much
which he had already learned; and at twenty years of age, habits are
too deeply rooted to be easily eradicated; so that he never attained
the power of describing that clear, beautiful stroke which was then
given by some foreign artists, and has since been brought, I believe,
to its utmost perfection by Sir Robert Strange.
In his first efforts he had little more assistance than could
be acquired by casual communications, or imitating the works of
others;[4] those of Callot were probably his first models; and
shop-bills and book-plates his first performances. Some of these,
with impressions from tankards and tea-tables which escaped the
crucible, have, by the laudable industry of collectors, been
preserved to the present day. How far they add to the artist's fame,
or are really of the value at which they are sometimes purchased, is
a question of too high import for me to decide. By the connoisseur
it is asserted, that the earliest productions of a great painter
ought to be preserved, for they soar superior to the mature labours
of plodding dulness, and though but seeds of that genius intended by
nature to tower above its contemporaries, invariably exhibit _clear
marks of mind_; as every variety in the branches of a strong-ribbed
oak is, by the aid of a microscope, discoverable in the acorn.
By the opposite party it is urged, that collecting these _blotted
leaves of fancy_, is burying a man of talents in the ruins of his
_baby-house_; and that for the honour of his name, and _repose of his
soul_, they ought to be consigned to the flames, rather than pasted
in the _portfolio_.
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