Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
Soon after the treaty of Aix-la-Chapelle he visited France. A people
so different from any he had before seen, and manners so inimical to
his own, greatly disgusted him. Ignorance of the language, added
to some unpleasant circumstances that had their rise in his own
imprudence, form a slight apology for these prejudices; he _told them
to the world_ in a view of the Gates of Calais, under which article
I have inserted a cantata written by his friend Forest. The portrait
in a cap, with a palette, on which is the waving _line of beauty and
grace_, he this year engraved from his own painting. Beneath the
frame are three books, labelled, Shakspeare, Milton, Swift; and on
one side his faithful and favourite dog Trump. As Hogarth afterwards
erased _the human face divine_, and inserted the _divine_ Churchill
in the character of a bear, the print is become very scarce; a small
copy adorns the title-page to this volume. Some despicable rhymes on
the dog and painter were published in the Scandalizade. Thus do the
lines conclude:
"The very self same,--how boldly they strike!
And I can't forbear thinking they're somewhat alike.
Oh fie! to a dog would you Hogarth compare?
Not so,--I say only, they're like as it were;
A respectable pair, all spectators allow,
And that they deserve a description below,
In capital letters, BEHOLD WE ARE TWO."
Those who are personally acquainted with Hogarth deem this print a
strong likeness: the picture is remarkably well painted, better than
any I have seen from his pencil, except the head of Captain Coram,
now in the _Foundling Hospital_. To that charity Hogarth and several
contemporary painters presented some of their performances. The
attention they obtained from the public induced the members of an
academy in St. Martin's Lane to attempt an extension of the plan.
With this view, a letter was printed, and sent to the different
artists. As it was the cornerstone of that stupendous structure, now
become a Royal Academy, I have inserted a copy, with which I was
favoured by the gentleman to whom it is addressed.
"TO MR. PAUL SANDBY.
"_Academy of Painting, Sculpture, etc.,
St. Martin's Lane, Tuesday, October the 23d, 1753._
Public-domain text, read in full here on John Shaqi.
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