Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 1 (of 3)
Ireland, John
Hogarth, William, 1697-1764
This animated satire was etched as a receipt-ticket for a print of
Sigismunda. It represents _Time_, seated upon a mutilated statue, and
smoking a landscape, through which he has driven his scythe, to give
proof of its antiquity,--not only by _sober, sombre_ tints, but by an
injured canvas. Beneath the easel on which it is fixed the artist has
placed a capacious jar, on which is written VARNISH,--to _bring out_
the beauties of this inestimable assemblage of straight lines. The
frame is dignified with a Greek motto:
_Crates_,--Ὁ γὰρ χρόνος μ' ἔκαμψε, τέκτων μὲν σοφὸς,
Ἅπαντα δ' ἐργαζόμενος ἀσθενέστερα.
See _Spectator_, vol. ii. p. 83.
This, though not engraved with precise accuracy, is sufficiently
descriptive of the figure.
_Time has bent me double; and Time, though I confess he is a great
artist, weakens all he touches._
"From a contempt" (says Mr. Walpole) "of the ignorant virtuosi
of the age, and from indignation at the impudent tricks of
picture-dealers,[32] whom he saw continually recommending and vending
vile copies to bubble-collectors, and from having never studied,
indeed having seen few good pictures of the great Italian masters, he
persuaded himself that the praises bestowed on those glorious works
were nothing but the effects of prejudice. He talked this language
till he believed it; and having heard it often asserted, as is true,
that Time gives a mellowness to colours, and improves them, he not
only denied the proposition, but maintained that pictures only grew
black and worse by age, not distinguishing between the degrees in
which the proposition might be true or false."
Whether Mr. Walpole's remarks are right or wrong, Hogarth has
admirably illustrated his own doctrine, and added to his burlesque,
by introducing the fragments of a statue, below which is written,
As statues moulder into worth. P. W.
By part of this print being in _mezzotinto_ and the remainder etched,
it has a singularly striking and spirited appearance.
Hogarth, the following year, published that admirable satire, _The
Medley_, which completely refutes the reproach thrown on his
_declining talents_ by his political opponents, whose violent, and in
some respects vindictive attack, is erroneously said to have hastened
his death. That he was _wounded_ with a barbed spear, hurled by the
hand of a friend, it is reasonable to suppose; but armed with the
_mailed coat_ of conscious superiority, he could not be _wounded
mortally_. What!--_broken-hearted by a rhyme!_--_pelted to death
with ballads!_--He was too proud! I am told by those who knew him
best, that the little mortification he felt, did not arise from the
severity of the satire, but from a recollection of the terms on which
he had lived with the satirist.
Public-domain text, read in full here on John Shaqi.
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