Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
"The Pool of Bethesda" has suffered much from the sun; and "The Good
Samaritan," when cleaned about the year 1780, was pressed so hard
against the straining frame, that several creases were made in the
canvas.
MARTIN FOLKES, ESQ.
[Illustration: MARTIN FOLKES ESQ^{RE}]
This elegant scholar was a mathematician and antiquary of much
celebrity in the philosophical annals of literature. In 1713, at the
early age of 24, he was elected a Fellow of the Royal Society, and
in 1741 was elected President. Mr. Folkes was also an early Member
of the Society of Antiquaries, having been elected in 1719-20; and
his communications to both societies were numerous and valuable. His
knowledge in ancient and modern coins was very extensive; and the
most important work he produced, was _The History of the English Gold
and Silver Coin, from the Conquest to his own time_.
Algernon, the famous Duke of Somerset, who had been many years
President of the Society of Antiquaries, dying February 9, 1749-50,
Mr. Folkes, who was then one of the Vice-Presidents, was immediately
chosen to succeed his Grace; and was continued President by the
Charter of Incorporation of that Society, November 2, 1751. But he
was soon disabled from presiding in person either in that or the
Royal Society, being seized, on the 26th of September the same year,
with a palsy, which deprived him of the use of his left side. On the
30th of November 1753, he resigned the Presidentship of the Royal
Society; but continued President of the Society of Antiquaries
till his death. After having languished nearly three years, a second
attack of his disorder, on the 25th of June 1754, put an end to his
life on the 28th of that month.
The original portrait is preserved in the meeting-room of the Royal
Society.
BISHOP HOADLEY.
[Illustration: BISHOP HOADLEY.]
This portrait is in grand style, though rather in the French manner.
The painting, and the plate engraved from it by Baron, were carefully
preserved in the Bishop's family.
Public-domain text, read in full here on John Shaqi.
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