Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
Dr. Benjamin Hoadley, a prelate of considerable eminence, was born
November 4, 1676; educated at Catharine Hall, Cambridge; elected
Lecturer of St. Mildred, Poultry, 1701; Rector of St. Peter-le-Poor
in 1704, and of Streatham in 1710; King's Chaplain, February 16,
1715-16; Bishop of Bangor, March 18 following; translated to Hereford
in 1721, to Salisbury in 1723, and in 1734 to Winchester, which he
held nearly twenty-seven years, till on April 17, 1761, at his house
at Chelsea, in the same calm he had enjoyed amidst all the storms
that blew around him, he died, full of years and honours, beloved and
regretted by all good men, in the 85th year of his age. Few writers
of eminence have been so frequently or so illiberally traduced; yet
fewer still have had the felicity of living till a nation became
their converts, and of knowing "that sons have blushed their fathers
were their foes." His useful labours, which will ever be esteemed by
all lovers of the natural, civil, and religious rights of Englishmen,
were collected in 1773, in three folio volumes.
The Bishop had two sons: Benjamin Hoadley, M.D., F.R.S., Physician
to Frederick Prince of Wales, and to George the Second; of high rank
in his profession; and well known by many valuable writings, more
especially by his comedy of _The Suspicious Husband_. He died, in his
father's lifetime, in 1757. The other son, the Rev. Dr. John Hoadley,
Chancellor of Winchester, was also a most amiable man, and an elegant
poet. He was the editor of his father's collected works, introduced
by a well-digested biographical memoir. He died March 10, 1776; and
with him the name of Hoadley became extinct. His relict, who long
survived him, possessed several original paintings by Hogarth, which
were afterwards the property of the late Mr. Archdeacon D'Oyley.
MR. RANBY'S HOUSE AT CHISWICK.
[Illustration: M^R RANBY'S HOUSE AT CHISWICK.]
This view, etched by Hogarth in 1748 without any inscription, was
first published by his widow in 1781.
HYMEN AND CUPID.
[Illustration: HYMEN & CUPID.]
This neat plate was engraved as a ticket for the masque of _Alfred_,
performed in 1748, at Cliveden House, before the Prince and Princess
of Wales, on the Princess Augusta's birthday. It was afterwards
intended as a receipt for "Sigismunda."
FALSE PERSPECTIVE.
[Illustration: FALSE PERSPECTIVE.]
Early in 1753, Hogarth presented to his friend Mr. Joshua Kirby
this whimsical satirical design; which arose from the mistakes of
Sir Edward Walpole, who was learning to draw without being taught
perspective: an anecdote recorded by Mr. Steevens, on Sir Edward's
own authority.
To point out in a strong light the errors which would be likely to
happen from the want of acquaintance with those principles, Hogarth's
design was produced.
Public-domain text, read in full here on John Shaqi.
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