Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3) — John Shaqi
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
"Before I had done anything of much consequence in this walk,
I entertained some hopes of succeeding in what the puffers in
books call the great style of history painting; so that without
having had a stroke of this grand business before, I quitted
small portraits and familiar conversations, and with a smile
at my own temerity, commenced history painter, and on a great
staircase at St. Bartholomew's Hospital painted two Scripture
stories (the 'Pool of Bethesda' and the 'Good Samaritan'), with
figures seven feet high. These I presented to the charity,[16]
and thought they might serve as a specimen to show that were
there an inclination in England for encouraging historical
pictures, such a first essay might prove the painting them more
easily attainable than is generally imagined. But as religion,
the great promoter of this style in other countries, rejected it
in England, I was unwilling to sink into a portrait manufacturer;
and, still ambitious of being singular, dropped all expectations
of advantage from that source, and returned to the pursuit of
my former dealings with the public at large. This I found was
most likely to answer my purpose, provided I could strike the
passions, and by small sums from many, by the sale of prints
which I could engrave from my own pictures, thus secure my
property to myself.
"In pursuing my studies, I made all possible use of the
technical memory which I have before described, by observing and
endeavouring to retain in my mind lineally such objects as best
suited my purpose; so that be where I would, while my eyes were
open, I was at my studies, and acquiring something useful to my
profession. By this means, whatever I saw, whether a remarkable
incident or a trifling subject, became more truly a picture
than one that was drawn by a camera-obscura. And thus the most
striking objects, whether of beauty or deformity, were by habit
the most easily impressed and retained in my imagination. A
redundancy of matter being by this means acquired, it is natural
to suppose I introduced it into my works on every occasion that I
could.
Public-domain text, read in full here on John Shaqi.
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