Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)Ireland, John
General
Hogarth's Works, with life and anecdotal descriptions of his pictures. Volume 3 (of 3)
Ireland, John
Hogarth, William, 1697-1764
"For men who drudge in this mechanical part merely for gain, to
commence dealers in pictures is natural. In this, also, great
advantage may accrue from the labour and ingenuity of others.
They stand in the catalogue of painters; and having little
to study in their own way, become great connoisseurs, not in
the points where real perfection lies, for there they must be
deficient, as their ideas have been confined to the oval; but
their great inquiry is, how the old masters stand in the public
estimation, that they may regulate their prices accordingly,
both in buying and selling. You may know these painter-dealers
by their constant attendance at auctions. They collect under
pretence of a love for the arts, but sell, knowing the reputation
they have stamped on the commodity they have once purchased, in
the opinion of the ignorant admirer of pictures, drawings, and
prints, which, thus warranted, almost invariably produce them
treble their original purchase money, and treble their real
worth. Unsanctioned by their authority,[19] and unascertained
by tradition, the best preserved and highest finished picture
(though it should have been painted by Raphael) will not, at
a public auction, produce five shillings; while a despicable,
damaged, and repaired old canvas, sanctioned by their praise,
shall be purchased at any price, and find a place in the noblest
collections. All this is very well understood by the dealers,
who, on every occasion where their own interest is concerned,
are wondrously loquacious in adoring the mysterious beauties!
spirited touches! brilliant colours! and the Lord knows what, of
these ancient worn-out wonders! But whoever should dare to hint
that (admitting them to be originally painted by Raphael) there
is little left to admire in them, would be instantly stigmatized
as vilifying the great masters, and, to invalidate his judgment,
accused of envy and self-conceit. By these misrepresentations,
if he has an independent fortune, he only suffers the odium; but
if a young man, without any other property than his talents,
presumes boldly to give an opinion, he may be undone by his
temerity; for the whole herd will unite and try to hunt him down.
"Such is the situation of the arts and artists at this
time. Credulity,--an implicit confidence in the opinions of
others,--and not daring to think for themselves, leads the whole
town into error, and thus they become the prey of ignorant and
designing knaves.
"With respect to portrait-painting, whatever talents a professor
may have, if he is not in fashion, and cannot afford to hire
a drapery-man, he will not do; but if he is in vogue, and can
employ a journeyman and place a layman in the garret of his
manufactory, his fortune is made, and, as his two coadjutors are
kept in the background, his own fame is established.
Public-domain text, read in full here on John Shaqi.
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