The sojourn of nearly three years completed, the painter returned to his home in Basle, and occupied himself in that city until 1531. He would seem to have made up his mind to try the Continent again before yielding to the invitations he had received in England. Then again he had domestic affairs to settle, and they were not of the easiest, for his wife had certain good reasons to feel aggrieved, and Holbein did not regard constancy as one of the indispensable conditions of married life. In order that he might not be troubled overmuch on his return to our shores, he decided to leave his wife and family in Basle, where he left provision for all their wants. He never failed to look after his children and do his best for them. In days when there was neither regular postal service nor telegrams nor newspapers, he could live his own life without fear of any remonstrances; and we know enough of his progress in these islands to be satisfied that, had he brought his wife over, she would have had sound and sufficient reason to complain. The religious squabbles in Basle would seem to have made it hard for any artist to earn a living, and between the dates of his return and his second visit to this country he found little work for his brush. Happily he was equipped in every branch, and as his work as a painter was not in great demand, he went to the gold workers and the printers, and did not go to them in vain. They were happy enough to employ him, and work that he executed at this period of his career is one of the prizes of the collector and the connoisseur. PLATE VII.--SIR RICHARD SOUTHWELL (In the Uffizi Gallery, Florence) This striking portrait of one of Holbein's contemporaries is one of the best examples of the master's work in Italy. A study for the finished picture may be seen at Windsor, and there is another copy in the Louvre. It was Sir Richard Southwell who did much to bring about the fall of Sir Thomas More. [Illustration] When in 1531 the painter returned to England he could stand alone, and this was well for him, since Sir Thomas More was born to learn that the favour of princes is not remarkable for a quality of permanence. There would seem to have been no lack of work for Holbein as long as he lived. Here we may remark that the date of his death is in dispute, some authorities placing it as early as 1543, while others grant him another eleven years--a very valuable concession to any poor mortal, but one that the Fates do not appear to have granted, 1543 being the probable date of his death, and the Plague the cause.