Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
But if Bergan learned so much from the work, it must be acknowledged
that he also learned something from the worker. She was so loyal to
her art and her aims. She wrought with such cheerful diligence, such
unwasting enthusiasm, and such thorough conscientiousness. Having done
the best of which she was capable, she maintained such a steady front
against the assaults of depression and discouragement, deploying their
forces upon the wide space between her conception and her achievement.
If she failed, she cheerfully declared that the failure had taught her
more than any success could have done, and commenced anew; if she
succeeded, she was soberly glad, as having gained an inch or two of the
field,--over which, however, it might be long ere she could wave the
banner of victory. The spectacle could not fail to have a healthful
influence upon Bergan, inasmuch as Miss Lyte's patrons were not more
numerous than his clients; he saw that she kept her face bright, and
her spirit brave, under very real trials of limitation, delay, and
disappointment. He always went to his own work with a stouter heart
and steadier purpose, after watching hers for some moments; whether she
merely retouched and revised the preceding day's labor, with minute,
inexhaustible patience; or quietly gathered up the fragments of a model
overtaken by sudden disaster; or moulded moist clay, with rapt face,
eyes lit by a deep, inward fire, and fingers so swift and forceful as
to suggest the guidance of some unseen power. In this last case, he
did not disturb her by so much as a word. He only looked on in silence
until her white heat of inspiration had kindled something like a
kindred glow in his own mind; when he noiselessly stole out, to plunge
into his own work with renewed ardor. We may well believe that, just
at the moment when Bergan's lonely life and dim prospects were
beginning to tell upon his spirits and energies, it was not without
providential design that an object so inspiring and heartening as Astra
Lyte in her studio, was placed before his eyes.
Nor was the benefit wholly on one side. Astra found real help and
cheer in Bergan's intelligent interest and hearty appreciation.
Moreover, he was quick to see whenever mechanical contrivance or manly
strength could come to her aid; and he knew how to furnish both, in fit
and delicate measure. His perceptions were scarcely less nice than her
own; he knew just when to extend the helping hand, and when to withdraw
it; neither hesitation nor officiousness marred his aid.
But Bergan was not the only visitor at the studio. Doctor Remy's
straight-featured, intellectual face was often to be seen there, with
its chill and satirical expression half-obliterated by a look of kindly
interest. And his aid was not less ready than Bergan's, and, perhaps,
more valuable. Hints and criticisms, suggested by his profound
anatomical and physiological knowledge, often came just in time to
prevent a blunder, or clinch a success.
Public-domain text, read in full here on John Shaqi.
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