Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
So time rolled on, for another month or two, doing much for the growth
of acquaintance, and even a degree of intimacy, between the artist, the
lawyer, and the physician, thus thrown together under one roof, but
very little for the pecuniary advantage of the two former. Astra had
received a commission for a small portrait-medallion; Bergan had been
employed to draw up a few law-papers. The two often exchanged
good-humored jests upon the manifest ability of the world to get on
without their help. But it was a much more serious matter for the
young man than the maiden. Astra had understood that, Art being a
luxury, it must first create the demand which it meant to supply; but
Bergan knew well that law was neither unknown nor unsought, in
Berganton. Courts were held, and lawyers gathered, there; it was
strange that so little of the work came to his hands. Meanwhile, the
funds with which he had been supplied, on leaving home, were rapidly
melting away; and he was unwilling to apply for more, both because he
desired to be self-dependent, and disliked to admit failure.
He was sitting in his office, one afternoon, dividing his thoughts
between his books and the unpromising state of his affairs, when there
came a cautious knock at the door.
"Come in!" he called out, wondering if his long-expected client were
about to present himself.
First, appeared a black hand and a nondescript hat; next, a woolly head
and a wide, delighted grin; finally, a loose, slouching form, in a
shapeless suit of plantation gray. No client was this. It was only
his would-be property, Brick.
Perhaps Bergan's disappointment showed itself in his countenance, for
the negro hastily began to explain the reason of his coming.
"Gramma Rue, she sent me, massa. She don't feel right smart, dese yere
times, an' she say she tink her days drawin' to her close, an' she's
mighty anxious to see you, massa, 'fore she done gone. So she tole me
to ax you, could n' you come to yer ole room in de Hall, some ob dese
yere ebenins, jes' so's to gib her a chance to talk wid you. Ole massa
need n' know nothin' 'bout it; he's allers safe 'nough in de cottage
dem times. An' she hopes you'll hab de kin'ness to come, 'case she's
got suthin' bery partic'lar to say to you."
Bergan hesitated. He could not visit the old Hall without reviving
painful recollections; besides, it did not suit his natural
straightforwardness to go thither in a half-clandestine way. Yet how
could he refuse the urgent request of Maumer Rue, weighted not only
with the probability of coming death, but with the consideration of her
long, faithful, life service of his mother's family? And, after all,
there was no great harm in a visit to the deserted Hall, to gratify an
old, infirm, attached dependent. He certainly need do no skulking; if
he chanced to come upon his uncle, he could fairly and frankly face
both him and the situation.
Public-domain text, read in full here on John Shaqi.
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