Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
In the midst of a large, quadrangular space, flanked on three sides by
double rows of negro-cabins, and on the fourth apparently sloping down
to a water-course, was a rough sort of threshing-mill, now idle, but
showing satisfactory results of its day's labor in a large heap of rice
by its side. A crowd of negroes, of both sexes, coarsely and uncouthly
clad, were busily filling odd, shallow baskets from this heap, which
they then poised on their heads, and bore off down the slope to some
unseen goal. There were two regular, silent files, the one coming, the
other going; and the heap of grain steadily and even swiftly
diminished. Near the mill, stood the only white person visible,--a
large, powerfully-framed man, carelessly and even shabbily dressed, yet
with the unmistakable air of ownership about him. At his left hand, a
half-naked, impish looking negro boy was holding a blazing pitch-pine
torch, by the light of which he seemed to be jotting down some sort of
memoranda in a small book.
The scene was even more strange and weird than picturesque. The dark
figures of the negroes, filing noiselessly up the shadowed slope,
suddenly grew distinct, wild, and fantastic, within the circle of
enchantment made by the flaring light of the torch, only to become dim
and spectral again when received back into the dusk. They might have
passed for embodiments of those vagaries of the mind, which come from
no one knows whither, play their fitful parts within the illuminated
circle of the imagination, and vanish as they came. The young man
would almost have taken it as a matter of course, had the whole
spectacle suddenly melted into thin air.
Yet, even in that case, he would have expected the masterful personage
aforementioned to have remained, as the one tangible link between the
phantasms and the earth. In truth, a single glance at his massive
figure, which seemed to have been hewn out of the rock, rather than
moulded from any softer material, went far to disenchant the scene.
Here was a touch of the actual, the substantial, and the dogmatic, not
to be mistaken; and serving as a clue to the reality of everything else.
Toward this personage, after a moment's scrutiny, the young man
unhesitatingly made his way, with the air of one who has found
something certain amid much that is confused, illusory, and perplexing.
He was immediately spied by the negroes, and followed by their curious
gaze; albeit, they ventured not to intermit their labor for an instant,
but contented themselves with slowly and stiffly turning their burdened
heads toward him as they marched on, and keeping their shining black
eyes fixed on him to the last, in such that the heads of the retreating
file seemed to have been set on backwards. The boy with the torch was
perhaps the most wondering, open-mouthed gazer of them all.
Public-domain text, read in full here on John Shaqi.
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