Christian fiction; Man-woman relationships -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
It soon became known that the Youles endorsed Miss Thane to the fullest
extent, both socially and financially; else society might have given
her a cool reception. But it could scarcely, in its haughtiest mood,
have meted out to her a fuller measure of scornful indifference than
she accorded to it, when, in due time, it made up its mind to hold out
a condescending hand to her. She declined its invitations, she took no
notice of its calls, she would none of its patronage. Just in
proportion as it grew more eager, piqued by her indifference, and
curious to penetrate the mystery which surrounded her, she became
colder and more distant. Finally, society was compelled to understand
that the sole favor which she would accept at its hands, was
forgetfulness of her existence.
Nor was the public treated much better, in her capacity of artist.
Visitors at her studio found free admission, and opportunity to
examine, at their leisure, the pictures, sketches, and studies, which
crowded the walls; but rarely did she turn from her easel, to give them
more than the briefest glimpse of her statuesque beauty, or the most
concise of answers to their questions. Generally, she found some
reason for declining their orders; and fully one half of the pictures
on her walls were labelled, "Not to be Sold," while the sale of the
remainder was plainly a matter of the profoundest indifference to her.
It must needs be inferred that she had means of subsistence other than
her art, amply sufficient for her quiet, inexpensive mode of life.
Public-domain text, read in full here on John Shaqi.
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